How do you solve a problem like talking about Titane? Julia Ducournau’s film is best seen blind. Really, if you haven’t watched it, you should... Read More
Film Reviews
There is a fundamental question that lingers in the back of everyone’s mind when they hear about a new Nicolas Cage film is coming; how... Read More
After a year off, Cannes has returned with a lineup that’s an embarrassment of riches, seemingly designed to make even the most jaded cinephile feel... Read More
In the 30 years since JFK made global headlines for its excoriation of the military-industrial complex – and garnered eight Oscar nominations for its trouble... Read More
“The New Yorker will be the magazine not published for the old lady in Dubuque,” editor Harold W. Ross wrote in the founding prospectus for... Read More
For years, thousands of individuals in the film industry bought into the idea that female-led action movies would “never make money,” as they were supposedly... Read More
Mia Hansen-Løve’s directorial style seems to be less about style or genre and more about mood. Her 2018 travelogue romance film Maya had very little... Read More
A few weeks ago I was talking to my boyfriend and he was trying to remember the name of a hormone the brain releases that... Read More
The kind of movie which reminds you just how beguiling top-tier cinema can be, Joachim Trier’s The Worst Person in the World is a triumph.... Read More
“We’re all entitled to a sin,” one nun confesses to her attentive Sister Benedetta (Virginie Efira). And sin she indeed does, so much so that... Read More

‘Titane’ review: Julia Ducournau revs up the body horror in her masterfully audacious follow-up to ‘Raw’ [Cannes Review]
‘Pig’ review: Served on an unexpected meta platter comes Nicolas Cage’s career-best performance
‘La Traviata, My Brothers & I’ review: Yohan Manca’s winsome family drama is a winning debut feature [Cannes Review]
‘JFK Revisited: Through the Looking Glass’ is a dense and detailed return to the conspiracy 30 years after Oliver Stone’s masterpiece [Cannes Review]
‘The French Dispatch’ review: Wes Anderson dials up the quirk in anthological homage to journalism [Cannes Review]
‘Gunpowder Milkshake’ review: A ferociously entertaining explosion of female fury
‘Bergman Island’ review: A Mia Hansen-Løve letter on filmmaking with stellar performances from Vicky Krieps, Tim Roth and Mia Wasikowska [Cannes Review]
Retrospective: 20 Years on, ‘Legally Blonde’ is a pink, empowered reminder to be yourself
‘The Worst Person in the World’ review: Joachim Trier’s flirtatious love story might be the best film at Cannes [Cannes Review]
‘Benedetta’ review: Praise be, Paul Verhoeven’s silly and sizzling hot nun summer is here [Cannes Review]
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
How Judith Light Psychs Us Out in ‘The Terror: Devil in Silver’ and the Secret to Her Long-lasting Career [VIDEO INTERVIEW]