“Timeless” is a word that gets thrown around a lot, particularly by movie critics to describe films that have lasting power because they are enjoyed... Read More
Film Reviews
Alex Winter hasn’t directed a narrative feature film since 2015’s Smosh: The Movie. In some sense, you could say we haven’t gotten a real Alex... Read More
It’s typical and expected from every year that a handsomely crafted historical drama would come along and remind audiences of a certain part of WWII... Read More
After maintaining his scream king title recently thanks to projects like the Smile films and Strange Darling, Kyle Gallner makes a pivot to romantic anti-hero... Read More
You can, of course, leave it to Steven Soderbergh of all people to make a biting and salient drama about the ways we value and... Read More
“My grandfather once said that happiness isn’t a story.” In the traditional folk song “Silver Dagger,” the lyrics go “All men are false, says my... Read More
In an edition full of surprises and films that moved and provoked audiences at the Venice Film Festival, Ildikó Enyedi’s Silent Friend is perhaps the... Read More
As he enters the office of Meridian Mortgages on a brisk February morning in 1977, Tony Kiritsis (Bill Skarsgård) is visibly on edge, despite the... Read More
In this review roundup out of the 2025 Toronto International Film Festival, three films from across the world, over three different genres, explore similar issues... Read More
The latest whodunit from writer-director Rian Johnson, Wake Up Dead Man, starts with a confession; not one of guilt or sin, but of absolute truth.... Read More

‘Train Dreams’ Review: Joel Edgerton Shines in Contemplative Drama About Life and Technological Progress [A-] TIFF
‘Adulthood’ Review: Alex Winter’s Suburban Neo-Noir Dark Comedy is Dead on Arrival [C-] TIFF
‘Nuremberg’ Review: James Vanderbilt’s Historical Thriller Looks at When Perpetrators of Systematic Genocide Used to be Brought to Justice [A-] TIFF
‘Carolina Caroline’ Review: Kyle Gallner and Samara Weaving Rob and Throb in Old-School Crime Drama of Lovers on the Run [A-] TIFF
‘The Christophers’ Review: Ian McKellen is an Irritable, Aging Painter in Steven Soderbergh’s Warm and Funny Chamber Drama About Artistic Integrity [B+] TIFF
‘The History of Sound’ Review: Paul Mescal and Josh O’Connor’s Tender Romance is a Silver Dagger to the Heart [A-]
‘Silent Friend’ Review: Ildikó Enyedi’s Hypnotic Saga is One of the Year’s Best Films [A] Venice
‘Dead Man’s Wire’ Review: Gus Van Sant Crafts a Kinetic Dog Day Afternoon for Bill Skarsgård [B+] Venice
2025 Toronto International Film Festival Reviews: ‘The Fence,’ ‘Fuze,’ ‘Good Fortune’
‘Wake Up Dead Man’ Review: Rian Johnson’s Latest Puzzlebox Takes Benoit Blanc to Church on an Unholy Whodunit [A-] TIFF
Trailer Watch: ‘Spider-Man: Brand New Day,’ ‘Dune: Part Three,’ Disclosure Day,’ ‘Wild Horse Nine’
‘Anima’ Review: Sydney Chandler and Takehiro Hira Ground Brian Tetsuro Ivie’s Low-Fi Sci-Fi Road Movie [B+] SXSW
Six Join 51st Residence of the Festival de Cannes, including Harry Lighton, Mansi Maheshwari, Oliver McGoldrick
‘Jury Duty Presents: Company Retreat’ Review: The Emmy-Nominated Hit Returns as an Hilarious Workplace Comedy [B+]