In an edition full of surprises and films that moved and provoked audiences at the Venice Film Festival, Ildikó Enyedi’s Silent Friend is perhaps the... Read More
Film Reviews
As he enters the office of Meridian Mortgages on a brisk February morning in 1977, Tony Kiritsis (Bill Skarsgård) is visibly on edge, despite the... Read More
In this review roundup out of the 2025 Toronto International Film Festival, three films from across the world, over three different genres, explore similar issues... Read More
The latest whodunit from writer-director Rian Johnson, Wake Up Dead Man, starts with a confession; not one of guilt or sin, but of absolute truth.... Read More
During the end credits of Roofman, a series of news clips and interviews of people who came into contact with the notorious “Roofman” robber are... Read More
Of the many fascinating aspects of Japan as a nation and culture, one particular feature that stands out is its remarkable subculture of bizarre rental... Read More
Satire and farce make for appealing cinema because they give additional room to directors willing to exercise that creative license. Such is the case with... Read More
Sofia Coppola’s Marc by Sofia could only ever have been made by Sofia Coppola. On paper it is a straightforward proposition: a celebrated filmmaker turns... Read More
Chile’s selection to this year’s Best International Feature Oscar race, The Mysterious Gaze of the Flamingo, continues that country’s remarkable string of featuring poignant films... Read More
People probably always say that a long-lasting love can feel like an eternal flame. Whether it’s with the person you’re currently with or a fling... Read More

‘Silent Friend’ Review: Ildikó Enyedi’s Hypnotic Saga is One of the Year’s Best Films [A] Venice
‘Dead Man’s Wire’ Review: Gus Van Sant Crafts a Kinetic Dog Day Afternoon for Bill Skarsgård [B+] Venice
2025 Toronto International Film Festival Reviews: ‘The Fence,’ ‘Fuze,’ ‘Good Fortune’
‘Wake Up Dead Man’ Review: Rian Johnson’s Latest Puzzlebox Takes Benoit Blanc to Church on an Unholy Whodunit [A-] TIFF
‘Roofman’ Review: Channing Tatum Charms but Derek Cianfrance’s Eccentric True Crime Dramedy Puts Too Much Stock in the Fables of Its Subject [C+] TIFF
‘Rental Family’ Review: Brendan Fraser is a Conduit for Loneliness in Hikari’s Found in Translation [B+] TIFF
‘Sacrifice’ Review: Romain Gavras’ Environmentalism Parody Self-Immolates at the Altar of Absurdity [B-] TIFF
‘Marc by Sofia’ Review: Coppola’s Friendly Look at a Fashion Titan Leaves Some of its Seams Showing [B-] Venice
‘The Mysterious Gaze of the Flamingo’ Review: Chilean LGBTQ Western is a Haunting, Lyrical Fable About Love and Loss [A-] TIFF
‘Erupcja’ Review: Everything is Pretty Romantic in this Kinetic Charli XCX Vehicle [B+] TIFF
Academy Award-winning Filmmaker Steven Bognar Boards Yael Bridge’s ‘Who Moves America’ Doc as Executive Producer [EXCLUSIVE]
‘Euphoria’ Season 3 Review: What’s Left to Do for the Teens of East Highland High but to Rue the Day [C+]
Alana Haim and Mamoudou Athie on Supporting Each Other Through ‘The Drama’
The Oscars Set March Dates for 99th and 100th Academy Awards