Joon-ho Bong delivers the best film of the Cannes Film Festival so far Known for his genre-twisting work, Joon-ho Bong is a director that never... Read More
Film Reviews
The 1990s saw two major renaissances for Disney, a creative one and a financial one. The Little Mermaid had come out at the end of... Read More
Quentin Tarantino’s latest is a delicious, subversive and audacious takedown of Hollywood In one of his most nuanced, poignant and entertaining films to date, Quentin... Read More
Is Gaspar Noé’s Lux Æterna a big middle finger to the Time’s Up/Me Too movement? Or is it his way of being woke to the... Read More
Ira Sachs’ latest is a hollow yet picturesque film on a decaying star In his follow-up to Little Men, Ira Sachs delivers a picturesque but... Read More
I grew up slightly outside the New York City ball and vogue scene with the likes of legends like Kevin Aviance, Leiomy, Pony Blanik, and... Read More
Asif Kapadia’s new documentary is an engrossing portrayal of a football legend One of the most interesting documentary filmmakers working today, Asif Kapadia has built... Read More
Robert Eggers follows up The Witch by crafting The Lighthouse, a sublimely nightmarish tale about madness and solitude Few thrillers will draw you in and... Read More
Terrence Malick’s latest is a magnetic, contemplative and epic film that asks big, timely questions coupled with fantastic technical credits and performances A return to... Read More
Jérémy Clapin’s film is a unique, inventive if slightly undercooked, animated gem In his debut animated feature, Jérémy Clapin goes for a dark, uncompromising and... Read More

Cannes Review: Joon-ho Bong’s ‘Parasite’ is breathtaking and heartbreaking
Review: ‘Aladdin’ has flashes of greatness but ends up an overlong retread
Cannes Review: Tarantino’s ‘Once Upon a Time…in Hollywood’ is one of his most nuanced, poignant and entertaining films to date
Cannes Review: Gaspar Noé’s ‘Lux Æterna’ makes a mockery of its own message
Cannes Review: Ira Sachs’ ‘Frankie’ is pretty, vacant
Cannes Review: ‘Port Authority’ embraces diverse storytelling but is a reminder there’s a long way to go in terms who gets to tell them
Cannes Review: Asif Kapadia’s ‘Diego Maradona’ scores as an engrossing doc on the price of fame
Cannes Review: ‘The Lighthouse’ Willem Dafoe and Robert Pattinson go toe to toe in Robert Eggers’ impeccably crafted new film
Cannes Review: Terrence Malick’s ‘A Hidden Life’ is a film for the ages
Cannes Review: ‘I Lost My Body’
Producers Guild Awards Nominations for Sports, Children’s and Short-Form Programs
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San Diego Film Critics Society (SDFCS) Nominations: ‘One Battle After Another,’ ‘Sinners’ Lead