In her second outing as a feature-length filmmaker, Saudi Arabian director Shahad Ameen goes bolder and deeper with Hijra, a quietly devastating film that is... Read More
Film Reviews
Yorgos Lanthimos is back at the Lido with one of his most fascinating, multi-layered and daring films. In Bugonia, the subversive filmmaker manages to tackle... Read More
Werner Herzog’s irreverent stoicism, which seems to get an ounce cheekier every year, does some heavy lifting in a documentary which might otherwise border on... Read More
Selected as the Opening Film of this year’s Venice International Film Festival’s Orizzonti section, Tereza Nvotová’s Father features an interesting premise, rarely discussed in film,... Read More
If we think about politics in this day and age, our first reaction is probably disgust, disappointment, disillusionment, or outright fear. In a crucial age... Read More
At the opening of Jay Roach’s new film The Roses, with Olivia Colman and Benedict Cumberbatch, the married pair are in therapy, asked to read... Read More
There’s an age-old moviemaking proverb that the new Austin Butler-starring crime thriller Caught Stealing abides by strictly, a sort of promise of destiny that this... Read More
In Honey Don’t!, Margaret Qualley’s Honey O’Donahue is handwashing a small but varied assortment of sex toys after a night of wild pleasure with Aubrey... Read More
Online fandom and fame-hunger have gotten so intense in the last decade or so that it’s a bit surprising there haven’t been more films like... Read More
Four years ago, Bob Odenkirk surprised and delighted audiences with his sort of anti-John Wick action movie, Nobody. That film was a modest success at... Read More

‘Hijra’ Review: Shahad Ameen Crafts a Moving Story of Self-Empowerment and Discovery [A-] Venice
‘Bugonia’ Review: Jesse Plemons Gives a Masterful Performance in Yorgos Lanthimos’s Plea for Eco-Empathy [A-] Venice
‘Ghost Elephants’ Review: Werner Herzog Adds Characteristic Existential Poignancy to Entertaining Nature Doc [B] Venice
‘Father’ Review: Tereza Nvotová’s Examination of a Life Barely Scratches the Surface [C] Venice
‘La Grazia’ Review: Paolo Sorrentino’s Richly Drawn Political Drama of a Leader Who’s Lost his Purpose is One of His Best Films [A] Venice
‘The Roses’ Review: By Any Other Name it Would Still Stink [C-]
‘Honey Don’t!’ Review: The Power of Chris(t) Almost Compels You in Ethan Coen’s Overly Sexualized Yet Sexually Timid Romp [B-]
‘Lurker’ Review: Writer-Director Alex Russell Crafts a Symbiotic Power Struggle with Paranoid Pop Star Thriller [B+]
‘Nobody 2’ Review: Can Anybody Find Me Somebody to Punch? [B-]
The 79th Cannes Film Festival Lineup is Here, With A Strong Global Slate of Films from Ryusuke Hamaguchi, Cristian Mungiu, Jane Schoenbrun, and More
Laura Dern, Carol Burnett, Cameron Crowe Added to TCM Classic Film Festival; Rare ‘Letty Lynton’ Restoration Set
Academy Award-winning Filmmaker Steven Bognar Boards Yael Bridge’s ‘Who Moves America’ Doc as Executive Producer [EXCLUSIVE]
‘Euphoria’ Season 3 Review: What’s Left to Do for the Teens of East Highland High but to Rue the Day [C+]