The Baltimorons is Jay Duplass’ first original feature film in 14 years. One half of the American independent cinema duo heavyweights of the aughts and... Read More
Film Reviews
In my first dispatch for the 2025 SXSW Film Festival, I take a look at three of the headliners from the festival line-up that features... Read More
I’ve always been scared my eventual life partner would kill me. Perhaps not in the traditional sense of being murdered, but the loss of life... Read More
The blinding darkness of a forest hides the blood-suckers. Trees shoot from the ground and extend themselves towards the sky, the tops a canopy for... Read More
It’s a pretty sad commentary on the state of Hollywood filmmaking that the only types of comedies being produced with consistency are hyphenated. Comedy-dramas, horror-comedies,... Read More
Early in Black Bag, Steven Soderbergh’s taut new espionage thriller doubling as a domestic and workplace romance, intelligence officer George Woodhouse (Michael Fassbender) finds a... Read More
South Korean auteur Hong Sang-soo is losing his sight as he ages into an old man. For many directors, this would cement their retirement, but... Read More
To call Romanian director Radu Jude a diagnostician of our times would not be an overestimation. Moreso, his rich body of work resonates with audiences... Read More
On a cold, rainy November night in 1943, a disheveled man with a long overcoat and a bottle of booze fell to the ground unconscious,... Read More
Almost every healthcare system worldwide is in crisis, overwhelmed with record demand, underfunding and a lack of staff on shifts. Swiss writer-director Petra Volpe highlights... Read More

‘The Baltimorons’ Review: Jay Duplass Returns with an Endearing, Bittersweet Christmas Eve Romance [B] | SXSW
SXSW 2025 Reviews: ‘Another Simple Favor,’ Death of a Unicorn,’ ‘The Accountant 2’
‘Together’ Review: Dave Franco and Alison Brie Dare and Delight in a Blood-Soaked Flesh for Fantasy [A-] | SXSW
‘The True Beauty of Being Bitten by a Tick’ Review: Maybe the Real Treasure Was the Parasites We Made Along the Way [B+] | SXSW
‘Novocaine’ Review: A Winning Jack Quaid is Comfortably Numb in Painless Action-Comedy [C+]
‘Black Bag’ Review: Sex, Spies, and Videotape [B+]
‘What Does That Nature Say to You’ Review: Hong Sang-soo’s Latest Remains Disarmingly Observational Yet a Touch Out of Focus [B] – Berlinale
‘Kontinental ’25’ Review: Radu Jude’s Homage to Rossellini Finds the Director at his Most Humanistic if a Bit Expected [B-] – Berlinale
‘Blue Moon’ Review: Ethan Hawke and Andrew Scott Sizzle in Richard Linklater’s Tragicomic Valentine to Love and Broadway [A-] – Berlinale
‘Late Shift’ Review: Tense, Hospital-set Thriller Highlights a Hidden Crisis and a Powerful Performance from Leonie Benesch [B+] – Berlinale
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]
Director Watch Podcast Ep. 131 – ‘High Life’ (Claire Denis, 2019)
Alliance of Women Film Journalists (AWFJ): ‘One Battle After Another,’ ‘Hamnet’ Lead