It’s been said that war does not determine who is right, only who is left. Those with the moral high ground do not always win,... Read More
Film Reviews
There’s a moment in Hot Milk that looks like a dream: a young woman is floating in the cyan-blue sea under the Spanish sun. It’s... Read More
For the past decade, the Walt Disney Company has been pillaging its back catalog of animated films, turning them into gaudy, garish live-action spectacles that... Read More
Gangster films have been a staple of cinema since the earliest days and over the last fifty years, few actors are as synonymous with the genre... Read More
A familiar premise isn’t always a bad thing when it comes to horror and science fiction, so long as it’s presented through a new point... Read More
For the third dispatch from the 2025 SXSW Film Festival, we take a look at three films centered around female-led stories, two films in the... Read More
Sometimes you go to a festival and they aren’t all winners. Over the last couple of years, I’ve gone to film festivals and seen some... Read More
It goes without saying that family is complicated. We all have at least one family member who causes us the utmost stress yet we choose... Read More
The tulips in Holland, Michigan aren’t usually splattered in blood. In the small town inhabited by the descendants of Dutch immigrants, the conservatism of the... Read More
A complicated romantic dramedy, a cat and mouse thriller involving art forgery, and a slice of life epic from the South make up the titles... Read More

‘Warfare’ Review: Alex Garland’s Band of Brothers is a Brutal Tale of Innocence Lost [B+]
‘Hot Milk’ Review: Emma Mackey Blazes Through Choppy Mother-Daughter Portrait [C] | BFI Flare: London LGBTQIA+ Film Festival
‘Snow White’ Review: Rachel Zegler IS the Fairest of Them All in Marc Webb’s Fairytale Remake [C+]
‘The Alto Knights’ Review: But They’re Gangsters, Identical Gangsters All the Way [C]
‘The Astronaut’ Review: In This Space, No One Cares If You Scream | SXSW
SXSW 2025 Reviews: ‘Fantasy Life,’ ‘Slanted,’ ‘Uvalde Mom’
SXSW 2025 Reviews: ‘The Dutchman,’ ‘$POSITIONS,’ ‘We Bury the Dead’
‘My Uncle Jens’ Review: Brwa Vahabpour’s Feature Debut is an Effective Telling of a Complicated Family, Assimilation and Immigration (B+) | SXSW
‘Holland’ Review: Nicole Kidman Muddles Through a Stale Suburban Mess but at Least Her Wig is Fresh [C-] | SXSW
SXSW 2025 Reviews: ‘The Threesome,’ ‘Forge,’ ‘The Rivals of Amziah King’
LaKeith Stanfield on ‘I Love Boosters,’ Collaborating with Boots Riley, and His New Musical Endeavor
AwardsWatch Podcast Ep. 344: New Oscar Rules and Preview of the 79th Cannes Film Festival with Special Guest Christina Birro
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