‘Novocaine’ Review: A Winning Jack Quaid is Comfortably Numb in Painless Action-Comedy [C+]
It’s a pretty sad commentary on the state of Hollywood filmmaking that the only types of comedies being produced with consistency are hyphenated. Comedy-dramas, horror-comedies,... Read More
Film Reviews
‘Black Bag’ Review: Sex, Spies, and Videotape [B+]
Early in Black Bag, Steven Soderbergh’s taut new espionage thriller doubling as a domestic and workplace romance, intelligence officer George Woodhouse (Michael Fassbender) finds a... Read More
‘What Does That Nature Say to You’ Review: Hong Sang-soo’s Latest Remains Disarmingly Observational Yet a Touch Out of Focus [B] – Berlinale
South Korean auteur Hong Sang-soo is losing his sight as he ages into an old man. For many directors, this would cement their retirement, but... Read More
‘Kontinental ’25’ Review: Radu Jude’s Homage to Rossellini Finds the Director at his Most Humanistic if a Bit Expected [B-] – Berlinale
To call Romanian director Radu Jude a diagnostician of our times would not be an overestimation. Moreso, his rich body of work resonates with audiences... Read More
‘Blue Moon’ Review: Ethan Hawke and Andrew Scott Sizzle in Richard Linklater’s Tragicomic Valentine to Love and Broadway [A-] – Berlinale
On a cold, rainy November night in 1943, a disheveled man with a long overcoat and a bottle of booze fell to the ground unconscious,... Read More
‘Late Shift’ Review: Tense, Hospital-set Thriller Highlights a Hidden Crisis and a Powerful Performance from Leonie Benesch [B+] – Berlinale
Almost every healthcare system worldwide is in crisis, overwhelmed with record demand, underfunding and a lack of staff on shifts. Swiss writer-director Petra Volpe highlights... Read More
‘Girls On Wire’ Review: Vivian Qu’s Third Film Paints an Unforgiving Portrait of Two Cousins Trying to Outrun Their Fate [C] – Berlinale
More than ten years after the film she produced —Diao Yinan’s Black Coal, Thin Ice — won the top prize at the 64th Berlinale, Vivian... Read More
‘Mickey 17’ Review: Bong Joon-ho is Back with One of the Best and Goofiest Robert Pattinson(s) Performances Ever [B] – Berlinale
“What’s it like, dying?”, is a question that marks the one thing humans will always find it impossible to communicate. The limits of our own... Read More
‘The Monkey’ Review: Osgood Perkins’ Midnight Movie Bloodbath is Caught Between Gruesome Irony and Flat Melodrama [C]
Death looms like a specter in nearly all of Osgood Perkins’ films. Consider the chilly threat of the beyond in The Blackcoat’s Daughter, the dark... Read More
‘Paddington in Peru’ Review: Third Time’s a Bit Less Charming for Cinema’s Most Lovable Bear [B-]
In terms of its status amongst critics and film lovers, Paddington has got to be one of the most unlikely film franchises ever to gain... Read More
Motion Picture Sound Editors (MPSE) Announce Dates for 2027 and 2028 Awards 
Director Watch Podcast Ep. 148 – ‘Peeping Tom’ (Powell, 1960) 
2026 Chicago Critics Film Festival top Open with Olivia Wilde’s ‘The Invite,’ Announces Special Guests and Recipients of 2026 Emerging Critics Grant 
The 79th Cannes Film Festival Lineup is Here, With A Strong Global Slate of Films from Ryusuke Hamaguchi, Cristian Mungiu, Jane Schoenbrun, and More