‘Three Kilometers to the End of the World’ Review: Emanuel Pârvu’s LGBTQ Story is Missing a Queer Path to Authenticity | London Film Festival
It’s no secret that not all countries are keeping pace with the most populous Western nations when it comes to progress in LGBTQ rights, which... Read More
Film Reviews
‘The Summer Book’ Review: Charlie McDowell’s Delicate Finnish Tale Gives Way to a Compelling Performance from Glenn Close | London Film Festival
An island out at the Gulf of Finland was a haven for Tove Jansson, author of the famous Moomin books. It’s a place she would... Read More
‘Queer’ Review: Luca Guadagnino Conjures a Psychedelic, Sympathetic Fever Dream of Gay Love and Longing | NYFF
“What else could I say? Everyone is gay.” Quite an ironic beginning to Queer, Luca Guadagnino’s adaptation of William S. Burroughs’ classic and controversial novel,... Read More
‘Blitz’ Review: A Solid Saoirse Ronan but Steve McQueen’s WWII Story Feels Too Tidy | London Film Festival
Anyone who has grown up in Britain will be intimately familiar with the narrative of the country’s enduring spirit in the Second World War. All... Read More
‘My Eternal Summer’ Review: Sylvia Le Fanu’s Debut Feature is an Intimate and Contemplative Tearjerker | London Film Festival
The Danish poet and philosopher N.F.S. Grundtvig is quoted fleetingly in My Eternal Summer. A father recites Grundtvig to his daughter, paraphrasing: “Love will never... Read More
‘The Room Next Door’ Review: She’s Thinking of Ending Things | NYFF
Ten years ago, as I was wrapping up an afternoon shift at my college part-time job, I received a call that made me feel like... Read More
‘Maria’ Review: Angelina Jolie is Bewitching as La Callas in Pablo Larraín’s Delicate Depiction of the Diva | NYFF
Maria Callas was comfortable with death. As the greatest soprano alive, she died on stage night after night at La Scala, Covent Garden, The Met,... Read More
‘The Brutalist’ Review: Everything Old is New Again in Brady Corbet’s Monumental, Novelistic Epic | NYFF
Early in The Godfather Part II, a young, solitary Vito Corleone looks out the window at Ellis Island and sees The Statue of Liberty in... Read More
‘Misericordia’ Review: Into the Woods the Path Isn’t So Straight | NYFF
Everyone has a secret they’d take to their grave— but at what cost? And is it really even a secret? Confronting the ghost of a... Read More
‘Megalopolis’ Review: Francis Ford Coppola Loses Himself in a Messy Matrix of Formless Ideas | NYFF
Throughout Megalopolis, we see Cesar Catalina (Adam Driver) control time, with the ability to stop and start it upon command. This makes him, in the... Read More
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