‘All We Imagine as Light’ Review: Payal Kapadia’s Powerful Look at Women’s Lives in an Ever-Changing India | TIFF
The first lighthouse in recorded history was the Pharos of Alexandria, built in 280 BC. It towered upon the shore of Ancient Egypt, the vast... Read More
Film Reviews
‘Nightbitch’ Review: Amy Adams Goes Feral in Marielle Heller’s Neutered Adaptation of Stressed-Out Mom Novel | TIFF
‘Motherhood is a Bitch.’ So says the tagline of the new Marielle Heller (Can You Ever Forgive Me?) film starring Amy Adams as the titular... Read More
‘Stranger Eyes’ Review: Yeo Siew Hua Rivets with Voyeuristic Missing Child Drama | Venice
Singapore is among the most densely populated cities in the world with almost every street under surveillance by CCTV cameras. This is the setting for... Read More
‘Dahomey’ Review: Mati Diop Creates a Mesmerizing Artifact of Time Itself | TIFF
How do you tell a story about the return of something precious? About a homecoming? In Dahomey, which won the Golden Bear at the Berlin... Read More
‘William Tell’ Review: A Rousing, Old School Hollywood Epic of a Well-Told Story | TIFF
In case you don’t remember the story of William Tell from your school days, Nick Hamm’s new film about the Swiss folk hero opens with... Read More
‘Dead Talents Society’ (鬼才之道) Review: John Hsu Crafts a Hilarious and Deeply Referential Ghost Story with a Big Heart | TIFF
After the critical and commercial success of Detention, it was only a matter of time before Taiwanese filmmaker John Hsu would visit ghosts again. But... Read More
‘No Other Land’ Review: Basel Adra’s Palestinian Doc is a Story of Survival and Resilience and Demands Your Attention | TIFF
I have to imagine that one of the most difficult parts of making a documentary is that when real life writes the plot, you really... Read More
‘Horizon: An American Saga – Chapter 2’ Review: I Think We’ve Seen This Film Before and We Still Don’t Have an Ending | Venice
Horizon: An American Saga – Chapter 1 made only $36 million at the box office, prompting Warner Bros. to yank Chapter 2 from its original... Read More
‘We Live in Time’ Review: Florence Pugh, Andrew Garfield Romantic Drama is Less a Tear-Jerker and More Like a Forced Extraction | TIFF
Life affirming dramas or tear-jerking romcoms should do at least one of those things—affirm life, or make you cry a little while amused by the... Read More
2024 Telluride Film Festival Capsule Reviews: ‘Anora,’ ‘September 5,’ ‘The Piano Lesson’
ANORA (dir. Sean Baker, NEON) Mikey Madison is truly an iconic star. As the spunky Ani, an exotic dancer from Brooklyn, Madison owns the screen... Read More
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A] 
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW] 
Director Watch Podcast Ep. 131 – ‘High Life’ (Claire Denis, 2019) 
Alliance of Women Film Journalists (AWFJ): ‘One Battle After Another,’ ‘Hamnet’ Lead