“Do I contradict myself? Very well then I contradict myself, (I am large, I contain multitudes.)” So goes Walt Whitman’s classic poem “Song of Myself.”... Read More
Film Reviews
Every year, the Toronto International Film Festival has a handful of small scale science fiction relationship dramas, all hoping to be the next Eternal Sunshine... Read More
With endless franchises and origin stories, it is rare to encounter a film that brings a fresh perspective to both. Transformers One, the new animated... Read More
Life can be a series of question marks that are never resolved. We may forever wrestle with the possibilities and scenarios, but we are never... Read More
Sister Barnes and Sister Paxton are doing missionary work for the Mormon Church. Paxton (Chloe East from The Fabelmans) is a sweet, bubbly chatterbox, while... Read More
If you thought the streaming era finally helped people get over their fear of the one-inch barrier of subtitles, Hollywood hasn’t received the same memo.... Read More
Women know body horror all too well. Before we can even really grasp what they mean, the standards embedded in us tell us our bodies... Read More
Writer/director Angelina Jolie has shown a penchant for challenging films depicting war when she is behind the camera—think First They Killed My Father or Unbroken.... Read More
When it comes to sci-fi films about an attempt for romantic connection, movies about machines and AI tend to be prevalent within that canon, from... Read More
Long before M. Night Shyamalan’s characters saw dead people, author Juan Rulfo wrote about a whole bunch of them roaming the streets of an abandoned... Read More

‘The Life of Chuck’ Review: Mike Flanagan’s Offbeat Stephen King-Based Tom Hiddleston Drama Mostly Hits the Mark | TIFF
‘All of You’ Review: Brett Goldstein and Imogen Poots’ Chemistry Can’t Save an Underdeveloped, Badly Paced Sci-Fi Romance | TIFF
‘Transformers One’ Review: Josh Cooley’s Funny, Cool Cybertron Prequel Finds Chris Hemsworth in his Optimistic Prime
‘Việt and Nam’ Review: Trương Minh Quý’s Haunting and Melancholic Look at a Country Struggling with its Past | TIFF
‘Heretic’ Review: Hugh Grant is a Creep and a Weirdo in Deviously Devilish Debate About Religion | TIFF
‘Speak No Evil’ Review: James McAvoy Stars as a Sexy Villain in Remake That’ll Make You Scream
‘The Substance’ Review: Coralie Fargeat Feeds Us Moore Gore in Blood-Soaked Rumination on Female Body Image | TIFF
‘Without Blood’ Review: Angelina Jolie Directs Salma Hayek and Demián Bichir With Lots of Looks But Little Content | TIFF
‘Daniela Forever’ Review: Henry Golding Elevates an Imaginative Sci-Fi Pic That Falls Short of its Full Potential | TIFF
‘Pedro Páramo’ Review: Cinematographer Rodrigo Prieto’s Adaptation of the Classic Mexican Magical Realism Novel is Otherworldly | TIFF
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]
Director Watch Podcast Ep. 131 – ‘High Life’ (Claire Denis, 2019)
Alliance of Women Film Journalists (AWFJ): ‘One Battle After Another,’ ‘Hamnet’ Lead