Justin Kurzel is no stranger to the world of crime after making Snowtown, The True History of the Kelly Gang and Nitram. The Australian director... Read More
Film Reviews
The great historian Eric Hobsbawm called the 20th century “the short twentieth century”, as he believed that this particular century concentrated its main chain of... Read More
Japan’s official Oscar entry and Venice Film Festival selection, Cloud finds J-horror master Kiyoshi Kurosawa comfortably in his wheelhouse. It’s an atmospheric thriller imbued with... Read More
Alexandra Fuller’s award-winning memoir Don’t Let’s Go to the Dogs Tonight gets cinematic treatment, courtesy of first-time writer/director Embeth Davidtz, who also stars in the... Read More
You don’t ever own your dog, not really. When you bring one into your life, you simply become their human, their companion, and protector, the... Read More
The search for identity has always been a staple subject for cinema. Who are we? What is our place in the world? How are we... Read More
This is a film about sex! From the first moments, as the logos of production companies flash on the screen, we’re immersed in a world... Read More
Even though he has been working in the biopic genre for a while now (NO, Neruda, Jackie, Spencer), Chilean director Pablo Larraín was under the... Read More
In 1972, Munich hosted the Summer Olympic Games. At the time, Germany was separated into two factions; East Germany, under the influence of a communist... Read More
Thirty six years have passed since audiences were introduced to the weird and wonderful mind of filmmaker Tim Burton. His sophomore feature Beetlejuice – a... Read More

‘The Order’ Review: Jude Law and Nicholas Hoult Face Off in Justin Kurzel’s Hard Boiled Character Study | Venice
‘Campo di Battaglia (Battlefield)’ Review: A Great Alessandro Borghi Can’t Find the Cure for a Dull, Underwritten War Drama | Venice
‘Cloud’ Review: Japan’s Oscar Entry Finds Kiyoshi Kurosawa Matching Madness and Madcap in Online Reselling Satirical Thriller | Venice
‘Don’t Let’s Go to the Dogs Tonight’ Review: A Ghostly, Ghastly Tale of Growing Up During an African Civil War | Telluride
‘The Friend’ Review: Naomi Watts and a Very Good Boy Named Bing Make for a Deeply Dignified Dog Story | Telluride
‘Kill the Jockey’ Review: Nahuel Pérez Biscayart and Daniel Gimenez Cacho Stun in Gender Fluid Mob Dramedy | Venice
‘Babygirl’ Review: Nicole Kidman is Feral and Fearless as a Woman Taking Charge of Her Sexual Freedom | Venice
‘Maria’ Review: Angelina Jolie is a Woman Under the Influence in Pablo Larraín’s Minor Lietmotif | Venice
‘September 5’ Review: Tim Fehlbaum’s Take on the 1972 Munich Olympics Massacre Fails in its Presentation of Palestinian People | Venice
‘Beetlejuice Beetlejuice’ Review: The Juice is Back But Will This Legacy Sequel Quench Anybody’s Thirst? | Venice
Laura Dern, Carol Burnett, Cameron Crowe Added to TCM Classic Film Festival; Rare ‘Letty Lynton’ Restoration Set
Academy Award-winning Filmmaker Steven Bognar Boards Yael Bridge’s ‘Who Moves America’ Doc as Executive Producer [EXCLUSIVE]
‘Euphoria’ Season 3 Review: What’s Left to Do for the Teens of East Highland High but to Rue the Day [C+]
Alana Haim and Mamoudou Athie on Supporting Each Other Through ‘The Drama’