‘The Volcano: Rescue from Whakaari’ review: A haunting reminder of the power of nature and human perseverance | AFI FEST
Humanity’s existential threat from climate change is a disaster wholly self-created. Humans have found a way to exert a power over nature in the most... Read More
Film Reviews
‘All That Breathes’ review: Shaunak Sen beautifully examines ecological conservation through our most vulnerable of creatures
Under the gray skies of Delhi, a rat scurries around amidst the debris. It finds another rat doing the same. Another joins them, and another,... Read More
‘Weird: The Al Yankovic Story’ review: Daniel Radcliffe is larger than life in hilarious send-up of the ‘true’ story of Weird Al
When it comes to modern cinema, the musical biopic is one of the most reliable subgenres for studios to greenlight. Using an extensive catalog of... Read More
‘Klondike’ review: Ukrainian Oscar submission from Maryna Er Gorbach is an uncompromising, startling look at war, displacement, and resistance
The shooting of Malaysia Airlines Flight 17 and the Russian-Ukrainian conflict at Donbas are both central to Maryna Er Gorbach’s powerful feature Klondike – but... Read More
‘Ticket to Paradise’ review: George Clooney and Julia Roberts spark an old flame in a rom-com that fizzles out
With teen comedies enjoying a resurgence thanks to the ever-growing popularity of Netflix originals, another once-beloved 00s genre is looking to make its comeback: the... Read More
‘Please Baby Please’ review: A stylized, liberated 1950’s underground fever dream that redefines traditional gender norms | NewFest
Musicals from the 1950’s immediately conjure up vibrant images of guidos serenading girls in poodle skirts or elegant leading ladies dancing elaborate numbers in a... Read More
‘Aftersun’ review: Paul Mescal and Frankie Corio are mesmerizing as a father and daughter in limbo in Charlotte Wells’s extraordinary debut
In the opening minutes of Aftersun, a camcorder goes back through footage, stopping on a young girl asking her father, in the middle of showing... Read More
‘Mama’s Boy’ review: Dustin Lance Black doc just barely balances line between being uplifting and a stilted vanity project | NewFest
In 2009, at the age of 34, Dustin Lance Black won an Oscar for his screenplay for the Harvey Milk biopic Milk. In his acceptance... Read More
‘Lady Chatterly’s Lover’ review: Little to love beyond Emma Corrin and Jack O’Connell’s performances in Laure de Clermont-Tonnerre’s listless adaptation | LFF
A spirit of thoughtless anachronism looms over Laure de Clermont-Tonnerre’s Lady Chatterley’s Lover, Netflix’s crude and cynical attempt at seeing if some of the steam... Read More
‘Inland’ review: Mark Rylance enchants in this realistic yet enigmatic folklore-influenced directorial debut from Fridtjof Ryder | LFF
English writer-director Fridtjof Ryder’s directorial debut is a taut, well-made micro budget feature. After a successful crowdfunding campaign and production moving ahead, Ryder’s film caught... Read More
2024 Camerimage Film Festival: Danish Oscar Entry ‘The Girl With the Needle’ Wins Golden Frog 
Interview: ‘Gladiator II’ Cinematographer John Mathieson on Reuniting with Ridley Scott and Continuing the Legacy and Lore 
Interview: Alan Menken and Glenn Slater on Creating the Songs and Score for ‘Spellbound’ and the “Perfectly” Cast Rachel Zegler 
2025 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (November)