“The first ten minutes weren’t so bad but then I realized I was in “Finding Nemo”. When I made my way to the right theater-... Read More
Film Reviews
In today’s Sundance 2024 review diary I look at three of the festival’s award winners in the U.S. Dramatic section: Sean Wang’s Dìdi (弟弟), which... Read More
“No one wants to watch another white guy with problems, not in this climate.” That’s the feedback Martin (David Schwimmer) gets on the film script,... Read More
I’ve hit the slopes of Sundance and by slopes I mean the comfort of my living room as the online component of the 2024 Sundance... Read More
In horror fan circles, one topic always guaranteed to spark heated debate is the matter of “fast zombies” vs. “slow zombies.” For most of cinema... Read More
Ben Gottlieb (Jason Schwartzman) is a cantor at a temple, but he’s hardly the best fit for his job at the moment because he just... Read More
It’s 1987 in Oakland. Friends emerge from the movie theater discussing what they just saw and are immediately confronted by whistles and insults from a... Read More
Tarrell (André Holland) is a loving father to his young son Jermaine (Daniel Berrier) and a loyal husband to his wife Aisha (Andra Day). When... Read More
Edward (Sebastian Stan) lives a quiet life in an apartment building that’s falling apart. His face is highly disfigured, and while he acknowledges a childhood... Read More
Sujo, premiering in the 2024 Sundance Film Festival’s World Dramatic Competition, is the third feature collaboration between Astrid Rondero and Fernanda Valadez. Their previous film,... Read More

Retrospective: Worst Picture/Best Picture: ‘Gigli’ and ‘The Lord of the Rings: Return of the King’ (2003)
Sundance 2024 Reviews: ‘Dìdi (弟弟),’ ‘In the Summers,’ ‘A Real Pain’
‘Little Death’ Review: Separate Storylines Highlight Character Explorations in Jack Begert’s Lingering Debut | Sundance 2024
Sundance 2024 Reviews: ‘Ponyboi,’ ‘Love Me’ and ‘Thelma’
‘Handling the Undead’ Review: Return of the Slow Zombies | Sundance 2024
‘Between the Temples’ Review: Jason Schwartzman and Carol Kane Navigate Religion, Purpose, and Life in Nathan Silver’s Screwball Comedy | Sundance 2024
‘Freaky Tales’ Review: Anna Boden and Ryan Fleck Deliver An Epic Sampling of Violence and Victory in a Supercharged Oakland | Sundance 2024
‘Exhibiting Forgiveness’ Review: André Holland and John Earl Jelks Powerfully Delve into the Complexities of Father-Son Trauma in Titus Kaphar’s Poignant Feature Debut | Sundance 2024
‘A Different Man’ Review: Impressive Performances from Sebastian Stan and Adam Pearson Highlight Aaron Schimberg’s Thought-Provoking Look at the Masks We All Wear | Sundance 2024
‘Sujo’ Review: A Quieter Take on Growing Up in the Drug War | Sundance 2024
Interview: Cinematographer Darius Khondji on Shooting on Film and Finding the Light and the Darkness of ‘Marty Supreme’
Writer/Director Charlie Polinger Tackles Teenage Boy Body Horror in his Debut Feature ‘The Plague’ [VIDEO INTERVIEW]
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]