When two acclaimed artists in a partnership split creatively, their first solo projects are often indicative of their individual input in their prior collaborations as... Read More
Film Reviews
There is something fundamentally terrifying about someone being branded as a messiah. A prophecy was written in stone long before they existed, only for their... Read More
All of you Saint Maud apologists, rejoice, for British rising star Rose Glass is back. Nothing screams comeback louder than a queer romance thriller where... Read More
Olivier Assayas returns to cinema, after remaking Irma Vep with Alicia Vikander for Max, with a reflexive film about the life of a filmmaker in... Read More
Without a doubt, Sasquatch Sunset is a one-of-a-kind film that will surprise audiences around the world. No one is prepared for what Damsel directors David... Read More
There is something innately intriguing about the lives our ancestors led, many do ancestry searches and DNA tests but some go to the source to... Read More
The month of February is not particularly known for the top echelon of studio releases and is usually reserved for more of the light, fun,... Read More
The Taste of Things was France’s submission to the 2024 Oscars’ Best International Feature Film category. Set in 1885, Eugénie (Juliette Binoche), an artist in... Read More
It’s a thought that has plagued anyone who has ever been interested in a man: “I can fix him.” Whether he’s emotionally unavailable or physically... Read More
Every year, at least one film is ruined by its trailer. Not that its entire plot is revealed (there are plenty of those), but in... Read More

‘Drive-Away Dolls’ Review: Margaret Qualley and Geraldine Viswanathan Hit the Road in Ethan Coen’s Raunchy and Rowdy B-Movie
‘Dune: Part Two’ Review: Villeneuve Can’t Make 2 Become 1 With His Uneventful Spice World Epic
‘Love Lies Bleeding’ Review: Kristen Stewart and Katy O’Brian Will Set Your World on Fire in Rose Glass’ Psychosexual Revenge Thriller | Berlinale 2024
‘Hors du Temps (Suspended Time)’ Review – Olivier Assayas’ Truffaut-Inspired Film Reinvigorates the Lockdown Formula | Berlinale 2024
‘Sasquatch Sunset’ Review – Riley Keough Monkeys Around in Hilarious and Fascinating Gross-Out Comedy | Berlinale 2024
‘Treasure’ Review: Stephen Fry Can’t Save This Poorly Scripted Journey into the Past | Berlinale 2024
‘Madame Web’ Review: She Shoots but She Doesn’t Score
‘The Taste of Things’ Review: Lovers Simmer in the Kitchen in this French Foodie Fantasy
‘Lisa Frankenstein’ Review: Chivalry is Undead in Zelda Williams and Diablo Cody’s ‘80s-Set Coming-of-Age Horror Comedy
‘Argylle’ Review: Matthew Vaughn Hacks Up a Furball in Overcomplicated Spy Thriller
Interview: Cinematographer Darius Khondji on Shooting on Film and Finding the Light and the Darkness of ‘Marty Supreme’
Writer/Director Charlie Polinger Tackles Teenage Boy Body Horror in his Debut Feature ‘The Plague’ [VIDEO INTERVIEW]
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]