The 2000 Aardman animated film Chicken Run is about as close to a perfect family film as you can get. The Great Escape-inspired frolic from... Read More
Film Reviews
Writer-director Jim Jee-woon reteams with Parasite actor Song Kang-ho in this delirious, self-knowing satire on the filmmaking process. Cobweb asks meaningful questions about the creative... Read More
Tiny toes sporting a fresh pedicure step daintily across a carpet as a harp plays. Garish decor, swans, tchotchkes, and framed records tell us we’re... Read More
In last year’s conductor-focused, brilliantly layered New York Film Festival selection, TÁR, Todd Field depicts an interaction between maestro Lydia Tár and a possible conquest... Read More
People are innately intrigued with murder mysteries and the reasonings behind such violent and heinous acts. It’s human nature to want to discover the truth,... Read More
Not every romantic relationship has to be equitable, and there’s no shame in that – unless you’re into that. Joanna Arnow’s directorial debut follows a... Read More
The specter of The Exorcist looms large over modern horror filmmakers. William Friedkin’s tale of demonic possession wasn’t so much released in 1973 as it... Read More
Tales of expeditions to explore previously unincorporated lands are all too often whitewashed in history as positive roots of a bright young nation, offering an... Read More
It’s 2065 in The Midwest. The climate crisis has ravaged the planet with floods, fires, and a slew of natural disasters. A piece of the... Read More
It’s hard to remember the last great original science fiction movie that felt like it truly represented something astounding for the genre. Was it James... Read More

‘Chicken Run: Dawn of the Nugget’ Review: This Bird Barely Flies | LFF
‘Cobweb’ Review: Song Kang-ho is Pitch-perfect in this Delirious Meta-Comedy | LFF
‘Priscilla’ Review: Cailee Spaeny is Magnificent in Sofia Coppola’s Intricate Diary of A Lonesome Teenage Girl | NYFF
‘Maestro’ Review: Bradley Cooper’s Upper West Side Story is a Stylish, Marital Melodrama | NYFF
‘Only the River Flows’ Review: Wei Shujun’s Gritty Neo-Noir Grips with Old-Fashioned Storytelling | LFF
‘The Feeling That the Time for Doing Something Has Passed’ Review: Joanna Arnow’s Eye-Opening Look at Power, Control and Malaise | NYFF
‘The Exorcist: Believer’ Review: Will the Devil Ever Give David Gordon Green His Soul Back?
‘The Settlers’ Review: A Searing Examination of Power Dynamics and Land Appropriation in Early 20th Century Chile | NYFF
‘Foe’ Review: Saoirse Ronan and Paul Mescal Fail to Launch Garth Davis’ Scenes from a Futuristic Marriage | NYFF
‘The Creator’ Review: Gareth Edwards Brings a Fresh Spin to What Could Have Been Stale Sci-Fi
Interview: Cinematographer Darius Khondji on Shooting on Film and Finding the Light and the Darkness of ‘Marty Supreme’
Writer/Director Charlie Polinger Tackles Teenage Boy Body Horror in his Debut Feature ‘The Plague’ [VIDEO INTERVIEW]
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]