Films like Perfect Days are rare to come by. Rather than opting for a clear-cut narrative with dramatic twists and turns, this is a quiet,... Read More
Film Reviews
Just a year after the release of the seemingly cursed Death on the Nile, Kenneth Branagh is back with another Hercule Poirot movie, this one... Read More
It can be simultaneously exhilarating and exhausting to watch a film that is so thoroughly on its own wavelength that you have to either get... Read More
A few years after Saudi cinema made a splash with Haifa Al Mansour’s Wadjda and the Perfect Candidate, the Kingdom witnessed a major overhaul with... Read More
“Mom, I have to go. Look where we live, our house is coming down.” These are the words Seydou, the protagonist of Matteo Garrone’s Io... Read More
‘You will devote your life to conquering death’: so is foretold to the titular protagonist of Giorgio Diritti’s Lubo (Franz Rogowski) before he embarks on... Read More
If there was a theme for the 2023 Venice Film Festival lineup it would most certainly be hitmen. This year Venice attendees have been given... Read More
“I want to do this for a good feeling and for a bad one,” Flannery O’Connor declares in her short book The Prayer Journal. In... Read More
Examining non-fictional source material through its process of creation is always a fascinating endeavour. Ava DuVernay has adapted Pulitzer Prize-winning journalist and author Isabel Wilkerson’s... Read More
“Is this real?” The connections to our past can be tenuous, where we lose grasp of even simple memories or they can tether us to... Read More

‘Perfect Days’ Review: Wim Wenders’ Latest Finds the Beauty in the Mundane | Toronto
‘A Haunting in Venice’ Review: Poirot’s Latest Case is a Ghostly Good Time
‘Dicks: The Musical’ Review: A Naughty Bawdy Gaudy Sporty Musical Comedy Out That Alphas the Alphas | Toronto
‘Mandoob (Night Courier)’ Review: Ali Kalthami’s Nocturnal Debut Feature is a Satisfying Plunge into Saudi Nightlife | Toronto
‘lo Capitano’ Review: Garrone’s Migrant Story is Well Intentioned but Ultimately Slight | Venice
‘Lubo’ Review: Franz Rogowski is Extraordinary in Giorgio Diritti’s Sometimes Brutal Work | Venice
‘In the Land of Saints and Sinners’ Review: Liam Neeson Does his Usual Liam Neeson Thing in this Middling Action Thriller | Venice
‘Wildcat’ Review: Ethan Hawke Channels Flannery O’Connor’s Singular Voice in this Moving, Meandering Passion Project | Telluride
‘Origin’ Review: Aunjanue Ellis-Taylor’s Stunning Performance Drives Ava DuVernay’s Story of the American Caste System | Venice
‘All of Us Strangers’ Review: Andrew Haigh Devastates with a Masterful Story of Love and Loss in One of the Year’s Best Films | Telluride
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]
Director Watch Podcast Ep. 131 – ‘High Life’ (Claire Denis, 2019)
Alliance of Women Film Journalists (AWFJ): ‘One Battle After Another,’ ‘Hamnet’ Lead