Another superhero film? Not quite. Lloyd Kaufman’s Troma entertainment brought us the unlikeliest hero, The Toxic Avenger (1984). Spanning multiple sequels, TOXIE is ready for... Read More
Film Reviews
Love can be painful, hard and overbearing. That’s particularly true when it comes to maternal love in the Middle East, a region where love is... Read More
Films dealing with brain diseases such as dementia have long been overwhelmingly emotional experiences that pulled on heartstrings, emphasizing its characters’ ordeal and showcasing the... Read More
The career of Tarsem Sing Dhandwar encompasses only five films since the year 2000, when his debut feature The Cell blew the minds of audiences.... Read More
This review contains spoilers. In her feature film debut Shayda, which will represent Australia in this year’s Best International Feature Film Oscar race, Iranian-Australian filmmaker... Read More
The Movie Emperor is a satire that wastes no time in showing its presence. We open with a group of crew members preparing the red... Read More
Quebec actor Théodore Pellerin is quietly making a name for himself in Canada and the United States. He’s made such prolific American films as Boy... Read More
“Only good things come with time,” a vicious comeback said by Thelonious ‘Monk’ Ellison (Jeffrey Wright) when getting into a heated argument with a fellow... Read More
It is said in soccer that if the goalie needs to block the ball, that means the rest of the team already failed somewhere else.... Read More
In her impressive directorial debut Woman of the Hour, actress-turned-director Anna Kendrick builds on a horrifying true crime case to deliver an unflinching look at... Read More

‘The Toxic Avenger’ (2023) Review: Peter Dinklage is Ready to Intoxicate You Now | Fantastic Fest
‘Four Daughters’ Review: Kaouther Ben Hania’s Inventive Documentary/Narrative Hybrid is One of the Best Films of the Year | Toronto
‘Memory’ Review: Michel Franco’s Latest Favors Restraint and Contemplation as Peter Sarsgaard and Jessica Chastain Give Staggering Performances | Toronto
‘Dear Jassi’ Review: Tarsem Frames Real Life Honor Killing as Stirring Spin on ‘Romeo & Juliet’ in His Best Film to Date | Toronto
‘Shayda’ Review: Noora Niasari’s Narrative Feature Debut is a Striking, Moving Tale of Resistance and Empowerment | Toronto
‘The Movie Emperor’ Review: How I Learned to Stop Worrying and Love the Red Carpet | Toronto
‘Solo’ Review: Théodore Pellerin is Spectacular in Heart-Rending Exploration of the Montreal Drag Club Scene | Toronto
‘American Fiction’ Review: Cord Jefferson’s Bold and Broad Satire Finds Jeffrey Wright Giving One of the Best Performances of His Career | Toronto
‘A Normal Family’ Review: The Kids Are Not Alright | Toronto
‘Woman of the Hour’ Review: Anna Kendrick’s Directorial Debut Intelligently Examines the Convergence of Toxic Masculinity and Gender Prejudice | Toronto
Interview: Cinematographer Darius Khondji on Shooting on Film and Finding the Light and the Darkness of ‘Marty Supreme’
Writer/Director Charlie Polinger Tackles Teenage Boy Body Horror in his Debut Feature ‘The Plague’ [VIDEO INTERVIEW]
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]