Quebec actor Théodore Pellerin is quietly making a name for himself in Canada and the United States. He’s made such prolific American films as Boy... Read More
Film Reviews
“Only good things come with time,” a vicious comeback said by Thelonious ‘Monk’ Ellison (Jeffrey Wright) when getting into a heated argument with a fellow... Read More
It is said in soccer that if the goalie needs to block the ball, that means the rest of the team already failed somewhere else.... Read More
In her impressive directorial debut Woman of the Hour, actress-turned-director Anna Kendrick builds on a horrifying true crime case to deliver an unflinching look at... Read More
One of the smartest, most satisfying films at the Toronto International Film Festival this year, Ilker Çatak’s The Teachers’ Lounge uses a German school as... Read More
Egyptian-Austrian filmmaker Abu Bakr Shawky made quite the splash in 2018 with his debut feature film Yomeddine which became the first ever Egyptian debut film... Read More
The job of a critic is to provide recommendations for the general public based on a presumed strong understanding of art forms. In the present... Read More
The absence of a parent in childhood or adulthood can be just as powerful and impactful as the presence of one. Losing multiple parents can... Read More
A hitman with dementia trying to carry out one last job is the kind of premise that could easily go off the rails and devolve... Read More
On his way to another showing of a property he is trying to sell, Will Grady (Justin Timberlake) gets an alert on his phone from... Read More

‘Solo’ Review: Théodore Pellerin is Spectacular in Heart-Rending Exploration of the Montreal Drag Club Scene | Toronto
‘American Fiction’ Review: Cord Jefferson’s Bold and Broad Satire Finds Jeffrey Wright Giving One of the Best Performances of His Career | Toronto
‘A Normal Family’ Review: The Kids Are Not Alright | Toronto
‘Woman of the Hour’ Review: Anna Kendrick’s Directorial Debut Intelligently Examines the Convergence of Toxic Masculinity and Gender Prejudice | Toronto
‘The Teachers’ Lounge’ Review: Ilker Çatak’s Oscar Entry from Germany is a Brilliant and Powerful Reflection on Flawed Democracies | Toronto
‘Hajjan’ Review: Abu Bakr Shawky’s Follow-Up to ‘Yomeddine’ a Mostly Enjoyable Crowd Pleaser That Rings a Bit Hollow | Toronto
‘The Critic’ Review: Ian McKellen and Gemma Arterton Astound in a Period Portrait of a Cheeky Connoisseur | Toronto
‘North Star’ Review: Kristin Scott Thomas Gets Personal as She Tackles Family Dynamics and Loss in Directorial Debut Inspired by Her Own Life | Toronto
‘Knox Goes Away’ Review: Michael Keaton’s Dementia-Stricken Hitman Anchors a Focused Character Study | Toronto
‘Reptile’ Review: A Benicio del Toro and Alicia Silverstone Reunion Can’t Save Convoluted Crime Drama | Toronto
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942)
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
‘Sinners’ Leads 57th NAACP Image Awards with 9 Going Into Final Night