Tribeca Film Festival Review: ‘Don’t Make Me Go’ can’t leave well enough alone [Grade: B]
Don’t Make Me Go achieves the rare feat of showing its hand too often and still not earning its final twist. Hannah Marks’s road movie... Read More
Film Reviews
‘Lightyear’ review: Pixar reshapes the stubborn space ranger into a relatable hero and almost takes representation to infinity and beyond [Grade: B]
When it comes to Pixar, the best animated film studio in the world, there is just one thing you can’t count out, and that is... Read More
‘Jurassic World Dominion’ review: Trevorrow and company deliver one last disastrous dino dud to finish off this depleted franchise [Grade: D]
Let’s wind the clocks back, to what feels like millions of years ago, when big studios used practical effects and advanced storytelling to get audiences... Read More
Cannes Review: Riley Keough and Gina Gammell’s ‘War Pony’ is a well-intended but often performative look at letting Lakota people telling their stories [Grade: B-]
The origin story of Riley Keough and Gina Gammell’s feature debut, War Pony, coincides with the production of another film, Andrea Arnold’s 2016 Cannes Jury... Read More
Cannes Review: Paul Mescal plays a troubled father in Charlotte Wells’ delicately stunning debut, ‘Aftersun’ [Grade A-]
What can we do with our fickle memories of childhood, especially the ones painting our parents with idealistic brush strokes, as if they were something... Read More
Cannes Review: ‘Showing Up’ gets closer to Kelly Reichardt’s creative process than any of her films yet [Grade: A-]
A disarmingly down-the-line film about a repressed artist trying to communicate a little better with the people around her, Kelly Reichardt’s Showing Up is a... Read More
Cannes Review: Lukas Dhont’s ‘Close’ is a delicate coming of age tale with a miraculous debut performance from Eden Dambrine [Grade: A]
Lukas Dhont’s sophomore feature, Close, is a remarkably well-directed film about childhood grief in a time maybe of its greatest need. It’s a great next... Read More
Cannes Review: Margaret Qualley and Joe Alwyn set their love ablaze in Claire Denis’ steamy Nicaragua-set romance ‘Stars at Noon’ [Grade: A]
Trish (Margaret Qualley) is a journalist whose press card is being revoked and her stay in Nicaragua compromised, and her way of making ends meet... Read More
‘Fire Island’ review: Escape to a Never-Never Land full of tea and sympathy in the year’s funniest and sexiest queer rom-com [Grade: A-]
Fire Island is a bright celebration of what friendship stands for: sharing laughs and creating fond memories with your best Judys through thick and thin.... Read More
Cannes Review: ‘Elvis’ is a terrible yet wildly entertaining biopic featuring a brilliant titular performance by Austin Butler [Grade: C+]
A fiercely conventional biopic with all the musical analysis of a Spotify playlist, Baz Luhrmann’s Elvis is, more often than not, an affront to cinema.... Read More
2024 Camerimage Film Festival: Danish Oscar Entry ‘The Girl With the Needle’ Wins Golden Frog 
Interview: ‘Gladiator II’ Cinematographer John Mathieson on Reuniting with Ridley Scott and Continuing the Legacy and Lore 
Interview: Alan Menken and Glenn Slater on Creating the Songs and Score for ‘Spellbound’ and the “Perfectly” Cast Rachel Zegler 
2025 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (November)