In Cristian Mungiu’s drama R.M.N., there is something scary in the woods. Perhaps it is a bear, hungry in midwinter, or perhaps a monster, a... Read More
Film Reviews
In a world of 3D animation and complicated concepts, My Father’s Dragon is a refreshingly simple and sweet coming-of-age story with gorgeous hand-drawn animation. The... Read More
The opening frame of Roald Dahl’s Matilda the Musical is startling, absurd, as animation-like rays beam off of newly born children as their parents sing... Read More
There is an interesting link between space and the way people behave. Filmmaker Hong Sang-soo uses space and setting to weave a quiet narrative in... Read More
Each film festival season brings with it at least one title that charms with the charisma of its child actors. Carla Simón’s Alcarràs, which comes... Read More
The new Hellraiser reboot is a textbook example on how to remake or reboot a classic. Keep the same scenario as the original while putting... Read More
Opening with a “special thanks” immediately preceding a reverse order roll of the end credits may seem like a peculiar choice for any film, let... Read More
The brutal murder of Emmett Louis Till made headlines around the world 1950s America. People were aware that Black people in the U.S. were being... Read More
When the pandemic hit the U.S., my fear of death oddly became most apparent when I would venture out to the grocery store. Strange, I... Read More
Juan Diego Botto’s directorial debut pulls no swings when it comes to social realism, it is a restless drama that follows a set of people... Read More

‘R.M.N.’ review: Cristian Mungiu’s Transylvanian drama reminds us who the real monsters are [B+] | NYFF
‘My Father’s Dragon’ review: Cartoon Saloon’s cute coming-of-ager soars with a fantastic voice performance from Gaten Matarazzo [B+]
‘Roald Dahl’s Matilda the Musical’ review: A joyous, magical, fun-filled adventure [B+] | LFF
‘Walk Up’ review: Hong Sang-soo toys with physical framing and structure to find the spaces in between relationships [B+] | NYFF
‘Alcarràs’ review: Carla Simón’s family drama is a neorealist classic in the making [A] | NYFF
‘Hellraiser’ review: A chilling franchise reinvigoration with eerie visual flair that will have you on pins and needles [B]
‘TÁR’ review: Portrait of the Artist on Fire | NYFF [A]
‘Till’ review: Danielle Deadwyler is astounding in Chinonye Chukwu’s tribute to a mother’s courage and love [B+] | NYFF
‘White Noise’ review: Noah Baumbach creates a new American soundtrack with his ambitious adaptation of Don DeLillo’s iconic novel [B+] | NYFF
‘On the Fringe’ review: Juan Diego Botto’s directorial debut with Penélope Cruz is an ambitious but fractured effort [C] | Zurich
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