It’s been quite fascinating to track the career of Jordan Peele as of late. What’s been most intriguing is how he has entered the mainstream... Read More
Film Reviews
Joe and Anthony Russo can’t figure out how to transition out of working in the Marvel Cinematic Universe. Saying that their first post-MCU film Cherry... Read More
Whether it’s the Chanel boots that make your judgmental coworkers notice you, a pair of jeans that magically fit all of your friends, or a... Read More
Persuasion, published six months after the author’s death in 1817, is often considered Jane Austen’s most mature novel. 27-year-old Anne Elliot is persuaded to break... Read More
From the inception of the Marvel Cinematic Universe, the foundation of the franchise has been the original Avengers: Iron Man, Captain America, Hulk, Black Widow,... Read More
The biggest selling point in this franchise right from the start was the minions. They’re in large part why the Despicable Me series was so... Read More
Dealing with toxic family members is undoubtedly messy. Although they may be connected by blood, if they’re finding ways to crush one’s happiness, the best... Read More
Don’t Make Me Go achieves the rare feat of showing its hand too often and still not earning its final twist. Hannah Marks’s road movie... Read More
When it comes to Pixar, the best animated film studio in the world, there is just one thing you can’t count out, and that is... Read More
Let’s wind the clocks back, to what feels like millions of years ago, when big studios used practical effects and advanced storytelling to get audiences... Read More

‘Nope’ review: Jordan Peele’s latest horror construct is lofty in attempt but somewhat cloudy in execution [B]
‘The Gray Man’ review: The Russo brothers continue to struggle to find their footing in a post-MCU world [C-]
‘Mrs. Harris Goes to Paris’ review: Lesley Manville returns to the world of 1950s couture fashion in an enchanting modern-day fairytale of self-discovery (and that dress you need to have) [B+]
‘Persuasion’ review: Netflix mangles and modernizes Jane Austen’s most pensive and mature novel in its new adaptation [D+]
‘Thor: Love and Thunder’ review: Natalie Portman kicks ass, Christian Bale terrifies in Waititi’s best MCU entry yet [B+]
‘Minions: The Rise of Gru’ review: Loud, non-stop silliness that brings back why this cartoon pairing worked in the first place [B-]
‘Wildhood’ review: A profound and inclusive entry in the queer coming-of-age tale canon (A-)
Tribeca Film Festival Review: ‘Don’t Make Me Go’ can’t leave well enough alone [Grade: B]
‘Lightyear’ review: Pixar reshapes the stubborn space ranger into a relatable hero and almost takes representation to infinity and beyond [Grade: B]
‘Jurassic World Dominion’ review: Trevorrow and company deliver one last disastrous dino dud to finish off this depleted franchise [Grade: D]
Interview: Cinematographer Darius Khondji on Shooting on Film and Finding the Light and the Darkness of ‘Marty Supreme’
Writer/Director Charlie Polinger Tackles Teenage Boy Body Horror in his Debut Feature ‘The Plague’ [VIDEO INTERVIEW]
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]