Sundance Review: ‘Sirens’ follows Lebanon’s first all-woman metal band screaming their way to success [Grade: B]
Slave to Sirens only exists at nightfall. When the sun dips over the horizon, Lebanon’s first all-woman metal band emerges from their daytime existence to... Read More
Film Reviews
Sundance Review: A career-best performance from John Boyega and a farewell to Michael Kenneth Williams highlight true-life hostage thriller ‘892’ [Grade: B]
Every day, soldiers come home from across the world and face a common, harsh reality; that after years of dedicated service to their country, we... Read More
Sundance Review: Kogonada’s emotionally rich ‘After Yang’ is destined to be one of the year’s best films [Grade: A]
After Yang, director Kogonada’s highly anticipated follow up to his 2017 indie darling Columbus, starts with a Jake (Colin Farrell), Kyra (Jodie Turner-Smith), and their... Read More
Sundance Review: Where ‘Watcher’ lacks in originality, it more than makes up for with a thrilling central performance from Maika Monroe [Grade: B+]
Many thrillers try too hard to be original. They try to incorporate a twist to their intriguing premise. They throw a curveball at the midpoint... Read More
Sundance Review: ‘Fresh’ explores a “meat cute” gone wrong [Grade: B-]
You can’t blame Noa (Daisy Edgar-Jones) for taking her chances with Steve (Sebastian Stan) at a grocery store. She’s survived too many awful dates and... Read More
Sundance Review: Almost anything would be better than a poke in the eye with Lena Dunham’s ‘Sharp Stick’ [Grade: D]
There is a line in writer/director Lena Dunham’s new film that has one character cooing to another, “you are a weird and lovely surprise.” Considering... Read More
Sundance Review: Emma Thompson hits a career high in the sexy and sex positive ‘Good Luck to You, Leo Grande’ [Grade: A]
Forget the Keanu-aissance, we need to be all in for the Emma-aissance. While she never went away, it does feel as if universal treasure Emma... Read More
Sundance Review: Phyllis Nagy’s upbeat abortion dramedy ‘Call Jane’ dials the wrong number [Grade: C]
It’s been said that fear is the ultimate motivator, which is the likely explanation as to why “issue” films are always so dark and depressing.... Read More
Sundance Review: Jesse Eisenberg’s directorial debut ‘When You Finish Saving the World’ meanders too much for its own good [Grade: C]
We all had to find a way to stay busy during the pandemic. For most of us, we ventured into hobbies we never had time... Read More
Sundance Review: ‘The Princess’ treads a well-worn path but shows that, for better or worse, we’re still not over Diana’s death [Grade: B]
There is a vicious cycle that is examined in the new documentary The Princess, which premiered at the 2022 Sundance Film Festival. That cycle is... Read More
Interview: Cinematographer Darius Khondji on Shooting on Film and Finding the Light and the Darkness of ‘Marty Supreme’ 
Writer/Director Charlie Polinger Tackles Teenage Boy Body Horror in his Debut Feature ‘The Plague’ [VIDEO INTERVIEW] 
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A] 
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]