With a star-studded cast and a sexy marketing campaign to precede it, Crimes of the Future promises an electrifying affair to be beholden, enjoyed, and... Read More
Film Reviews
If, like me, news of a George Miller movie at Cannes piqued your appetite for another dripping hamburger in the vein of Mad Max: Fury... Read More
Like most television shows, it took Bob’s Burgers a few episodes to get cooking. Once it did, it became a huge critical hit, receiving Emmy... Read More
For her fifth feature, Austrian filmmaker Marie Kreutzer turns to the history books, and more specifically, to a female figure of the 19th century whose... Read More
Four years after Border won the top prize in Cannes’ Un Certain Regard strand, Iranian-born filmmaker Ali Abbasi sparked a lively debate with his new... Read More
A big part of what makes a good satire vital, is the pledge of taking things seriously. Swedish director Ruben Östlund certainly lives by this... Read More
Many films have been made about famed 19th century composer Pyotr Ilyich Tchaikovsky, but little has been documented and told about his wife, Antonina Miliukova.... Read More
Halfway through Mia Hansen-Løve’s eighth feature, one character pokes at another referring to life and its “complex things you wouldn’t understand.” One way or another,... Read More
One of America’s most talented filmmakers for the best part of two decades, James Gray (Ad Astra, The Lost City of Z) may, with the... Read More
Tom Cruise was being honest when he told a crowd in Cannes on Wednesday that he believes the main ingredient of art is “skill.” Though... Read More

Cannes Review: With ‘Crimes of the Future’, horror-master David Cronenberg entices your inhumanly appetite and gets under your skin [Grade: B]
Cannes Review: ‘Three Thousand Years of Longing’ is a gentle feast about the endurance of love in all its forms from master George Miller [Grade: B+]
‘The Bob’s Burgers Movie’ review: The Emmy-winning show is a gag a minute blast, makes a triumphant leap to film [Grade: B+]
Cannes Review: ‘Corsage’ doesn’t reinvent the genre but Vicky Krieps leads Marie Kreutzer’s Austrian period drama with fragility and forte [Grade: B+]
Cannes Review: Ali Abbasi returns to Cannes with the terrifying Persian noir ‘Holy Spider’ [Grade: B+]
Cannes Review: In Ruben Östlund’s zany ‘Triangle of Sadness,’ yachts rock (and roll) as the allure of luxury exposes the underbelly of a classless utopia [Grade: A]
Cannes Review: Kirill Serebrennikov’s ‘Tchaikovsky’s Wife’ portrays a woman of quiet anonymity and obsession [Grade: B]
Cannes Review: Absences haunt Mia Hansen-Løve’s raw, but deeply humanistic ‘One Fine Morning’ [Grade: A]
Cannes Review: ‘Armageddon Time’ is a world-class coming-of-ager powered by a raft of terrific performances [Grade: A-]
‘Top Gun: Maverick’ review: Tom Cruise plays it safe in this ruthlessly competent but frustratingly distant sequel [Grade: B-] | Cannes Review
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
How Judith Light Psychs Us Out in ‘The Terror: Devil in Silver’ and the Secret to Her Long-lasting Career [VIDEO INTERVIEW]