In The Worst Person in the World, Joachim Trier delivers one of the year’s most introspective films that works both as a character study and... Read More
Reviews
Julia Ducournau’s sophomore feature Titane is certainly one of the year’s most original movies and a compelling look at the transformational power of love and... Read More
Cinema has often interrogated on the power and meaning of truth. What is it? How do we get to it? How do we accept it?... Read More
Céline Sciamma’s follow-up to her acclaimed Portrait of a Lady on Fire is a small film with a big heart, a much quieter and restrained... Read More
Hany Abu Assad’s return to Palestinian dramas is a mixed bag of didactic storytelling and expertly delivered thrills. A feminist thriller that is both well-meaning... Read More
Asghar Farhadi’s latest is one of his best, blending moral complications and social commentary to deliver an intellectual and emotional experience with a screenplay that... Read More
The literal dream documentary for every film buff, especially those who take a distinct interest in the spaghetti western side of cinema. And who better... Read More
‘Evil dies tonight’, or tomorrow – that’s the motto uttered at some point by every single character in Halloween Kills, David Gordon Green’s follow-up to... Read More
As America’s national past time, the sport of baseball has contributed to some of the most beloved family films in past decades. The Field of... Read More
Sex Education season 3 returns September 17, and viewers will be ecstatic to know that its heart and exuberant comedy are back in full force as... Read More

TIFF Review: Joachim Trier’s ‘The Worst Person in the World’ is a rich character study and one of the year’s best films [Grade: A]
TIFF Review: Julia Ducournau’s ‘Titane’ is challenging cinema and taking it to the very edge [Grade: A-]
Venice Review: Adam Driver and Jodie Comer shine but ‘The Last Duel’ is diminished by an uneven script and skewed perspective [Grade: C]
TIFF Review: Céline Sciamma’s ‘Petite Maman’ gloriously captures childhood emotions and perspectives [Grade: A-]
TIFF Review: Despite a fearless performance from Maisa Abd Elhadi, Hany Abu Assad’s ‘Huda’s Salon’ is mostly a misfire [Grade: C]
TIFF Review: Asghar Farhadi hits a humanistic high with ‘A Hero’ [Grade: A]
Venice Review: Quentin Tarantino pays tribute to Sergio Corbucci, the second-greatest spaghetti western director, in ‘Django & Django’ [Grade A-]
Venice Review: David Gordon Green expands the limits of trauma with ‘Halloween Kills’ [Grade: B]
The legacy of ‘The Sandlot’ is still a home run almost 30 years later
‘Sex Education’ Season 3 review: New teachers, new students, more sex in the best term yet [Grade: A]
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10