The initial idea for Audrey Diwan’s Happening (L’Événement) came from a famous French autobiographical novel, written by Annie Ernaux in 2000 about her own illegal... Read More
Reviews
Ana Lily Amirpour’s latest film, after a five-year absence due to her venturing into the world of TV, will take audiences on a stylish, hipster... Read More
Michel Franco returns to the Lido just one year after his New Order won the Silver Lion Grand Jury Prize, premiering his latest which also... Read More
It’s not common for me to advise readers to watch a 294-minute limited series in one go. But Scenes from a Marriage, HBO’s new Ingmar... Read More
Three years after premiering her BAFTA-nominated debut feature, Only You, British filmmaker Harry Wootliff returns to the festival circuit with True Things, a mature and... Read More
Isabelle Huppert battles to keep her place in the mayoral office in Thomas Kruithof’s Les Promesses, also known by its English title Promises. It’s a... Read More
Leda, a middle-aged comp-lit professor, arrives at a lavish Greek island accompanied solely by her books. Played by an overwrought Olivia Colman, she frets and... Read More
The two most important lines in Dune come at the very beginning and the very end. First, when Duke Leto (Oscar Isaac) tells princeling son... Read More
A spiky icon and a gentle iconoclast, Diana Spencer occupies a place in the public consciousness of Britain and the rest of the world which... Read More
“Thank you to my sources of inspiration: Federico Fellini, Talking Heads, Martin Scorsese and Diego Armando Maradona.” When Paolo Sorrentino went on stage to accept... Read More

Venice Review: Audrey Diwan’s abortion drama ‘Happening (L’Événement)’ bares all but leaves its lead an empty vessel [Grade C-]
Venice Review: Ana Lily Amirpour’s ‘Mona Lisa and the Blood Moon’ is a vibrantly stylish, yet uneven ride [Grade C+]
Venice Review: Tim Roth and Charlotte Gainsbourg seethe in the Mexican heat of Michel Franco’s ‘Sundown’ [Grade: B]
Venice Review: ‘Scenes from a Marriage’ is a worthy retread with staggering performances from Oscar Isaac and Jessica Chastain [Grade: B+]
Venice review: ‘True Things’ cements Harry Wootliff as the master of new British drama [Grade: A-]
Venice review: Isabelle Huppert rivets in this razor-sharp political drama, ‘Promises (Les promesses)’ [Grade B+]
Venice Review: With ‘The Lost Daughter,’ Maggie Gyllenhaal exposes mother-daughter relations in their vile, discomforting essence [Grade: B]
Venice review: Denis Villeneuve’s ‘Dune’ is a gripping and visually arresting opener to an exciting universe [Grade: A]
Venice review: Kristen Stewart delivers a career-best performance in a fitting and fantastic look at an accidental revolutionary in ‘Spencer’ [Grade: A]
Venice Review: ‘The Hand of God’ is Paolo Sorrentino’s sublime masterpiece [Grade: A]
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10