England, 1924 — World War I has been over for half a decade, but for many, the wounds of the Great War are still fresh.... Read More
Reviews
An interesting exploration of what it’s like to be a woman in modern-day Chad, Mahamat-Saleh Haroun’s latest and much anticipated film, Lingui, The Sacred Bond,... Read More
A commercial horror flick rather than an attempt to address deeper issues, Edgar Wright’s Last Night in Soho is an enjoyable, immersive experience with bits... Read More
In The Worst Person in the World, Joachim Trier delivers one of the year’s most introspective films that works both as a character study and... Read More
Julia Ducournau’s sophomore feature Titane is certainly one of the year’s most original movies and a compelling look at the transformational power of love and... Read More
Cinema has often interrogated on the power and meaning of truth. What is it? How do we get to it? How do we accept it?... Read More
Céline Sciamma’s follow-up to her acclaimed Portrait of a Lady on Fire is a small film with a big heart, a much quieter and restrained... Read More
Hany Abu Assad’s return to Palestinian dramas is a mixed bag of didactic storytelling and expertly delivered thrills. A feminist thriller that is both well-meaning... Read More
Asghar Farhadi’s latest is one of his best, blending moral complications and social commentary to deliver an intellectual and emotional experience with a screenplay that... Read More
The literal dream documentary for every film buff, especially those who take a distinct interest in the spaghetti western side of cinema. And who better... Read More

TIFF Review: ‘Mothering Sunday’ is a lusty, languid tale of death and creative rebirth [Grade: B-]
TIFF Review: Mahamat-Saleh Haroun’s abortion drama ‘Lingui, the Sacred Bonds’ is a celebration of the resilience of Chadian women [Grade: B]
TIFF Review: Edgar Wright’s ‘Last Night in Soho’ is a clever blend of nostalgia and thrills with a dazzling performance by Anya Taylor-Joy [Grade: B+]
TIFF Review: Joachim Trier’s ‘The Worst Person in the World’ is a rich character study and one of the year’s best films [Grade: A]
TIFF Review: Julia Ducournau’s ‘Titane’ is challenging cinema and taking it to the very edge [Grade: A-]
Venice Review: Adam Driver and Jodie Comer shine but ‘The Last Duel’ is diminished by an uneven script and skewed perspective [Grade: C]
TIFF Review: Céline Sciamma’s ‘Petite Maman’ gloriously captures childhood emotions and perspectives [Grade: A-]
TIFF Review: Despite a fearless performance from Maisa Abd Elhadi, Hany Abu Assad’s ‘Huda’s Salon’ is mostly a misfire [Grade: C]
TIFF Review: Asghar Farhadi hits a humanistic high with ‘A Hero’ [Grade: A]
Venice Review: Quentin Tarantino pays tribute to Sergio Corbucci, the second-greatest spaghetti western director, in ‘Django & Django’ [Grade A-]
‘I Want Your Sex’ Review: Cooper Hoffman and Olivia Wilde Get Natural and Habitual in Gregg Araki’s Surprisingly Insightful Dom-Com [B+] | Sundance
Denver Film Critics Society (DFCS) Awards: ‘Sinners’ Tops Wins with Film and Director
‘The Moment’ Review: Charli xcx is brat+ in Trappings of Fame Mock Doc [B] | Sundance
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions