‘Ted Lasso’ recap: Season two, episode one – “Goodbye Earl”
AFC Richmond and England’s most unorthodox Football coach, Ted Lasso, has returned. The first episode of the new season started, and right from the beginning,... Read More
Reviews
‘Old’ review: M. Night Shyamalan leans into his good and bad tendencies to create his best film in years
An argument can be made that writer/director M. Night Shyamalan is the most polarizing filmmaker working today. Arguments are made by his fans of how... Read More
‘Ailey’ review: Well intended and researched, but ultimately reveals little of the most influential Black dancer/choreographer of the 20th century
Jamila Wignot’s Ailey celebrates its subject, the late modern dance iconoclast Alvin Ailey (1931-1989), in his own words and through his sublime choreography. The documentary... Read More
‘Where is Anne Frank?’ review: Heavy handed and overly preachy, Ari Folman’s visually stunning animated tale fails to compel [Cannes Review]
In the good ol’ days of primary school, back when we used to live freely with not a single care in the world, every student... Read More
‘A Hero’ review – An effective albeit monotonous moral parable from Asghar Farhadi [Cannes Review]
Somewhere in Iran, there is a bus station; a social junction where everyday commuters meet for a moment of solace. As the ongoing traffic continuously... Read More
‘In Front of Your Face’ review: A competent but isolating drama about dread from Hong Sang-soo [Cannes Review]
It doesn’t become clear what In Front of Your Face is really about till pretty far in, though its sheer emotional refinement means we can... Read More
‘Memoria’ review: Tilda Swinton investigates an eerie mystery in Apichatpong Weerasethakul’s slow-burning epic [Cannes Review]
It starts with a bang. Not the metaphorical, head-first into action kind of bang — not that you would ever expect that from an Apichatpong... Read More
‘Blue Bayou’ review: Justin Chon’s stunning portrait of immigration and what it means to be an “American” [Cannes Review]
What does it mean to be an American? The question reverberates throughout every frame of Blue Bayou, the new film from Ms. Purple and Gook... Read More
‘Red Rocket’ review: Simon Rex puts the come in comeback in Sean Baker’s nuanced Trump country exposé [Cannes Review]
Perhaps even more so than The Florida Project, Sean Baker’s financial and ideological investment in celluloid film pays off in Red Rocket. His latest film,... Read More
‘Space Jam: A New Legacy’ review: More of a server jam, an uncanny valley of overused IP keeps the hybrid from being a slam dunk
Though there was a point in time where Space Jam seemed like a singular occurrence – a bizarre, beloved, uber-90s phenomenon that unexpectedly found its... Read More
Kansas City Film Critics Circle (KCFCC) Awards: ‘One Battle After Another’ Named Best Film 
Utah Film Critics Association (UFCA) Nominations: ‘One Battle After Another,’ ‘Sinners’ Lead 
Women Film Critics Circle (WFCC) Winners: ‘Hamnet,’ ‘If I Had Legs I’d Kick You’ Lead 
Philadelphia Film Critics Circle (PFCC) Winners: ‘One Battle After Another,’ ‘Sinners’ Fight It Out