Venice Review: ‘Parallel Mothers (Madres Paralelas)’ is a powerful portrayal of mothers in Almodóvar’s most political film
No matter how hard we try to escape it, we’re all children of history. It defines the life of a country and, by consequence, that... Read More
Reviews
Venice review: The road to redemption is a long and rocky one in Paul Schrader’s ‘The Card Counter’ [Grade: A]
“If not for the money, why play?” – “It passes the time,” says professional gambler William Tell (Oscar Isaac) when prompted to justify his string... Read More
‘Cinderella’ review: Billy Porter soars, Camila Cabello strains in a jukebox musical that lands like a lead slipper
Near the end of the latest film adaptation of tale-as-old-as-time Cinderella, Minnie Driver shudders a deep sigh and witheringly intones, “What fresh hell is this?”... Read More
‘Worth’ review: Michael Keaton delivers in this subtle, harrowing look at the people left behind on September 11th
It’s been twenty years since the horrific events of September 11th, 2001, a day where the United States was shaken to its absolute core. Everyone... Read More
‘Everybody’s Talking About Jamie’ review: Rose-colored to a fault, but with its queer heart firmly in the right place
There’s an atypical lead at the center of Everybody’s Talking About Jamie. A reed-thin teenage boy with platinum blonde hair and the confidence of someone... Read More
‘He’s All That’ review: Addison Rae’s gender-swapped flop pales in comparison to the original
With YouTubers like Flula Borg, Lily Singh, and Anna Akana able to successfully parlay internet stardom into a career in Hollywood, it was only a... Read More
‘Candyman’ review: Nia DaCosta’s entertaining exploration of Black mythology ends up a little bittersweet
Trauma in any form is devastating to the human psyche. It can take years, an entire lifetime to process and cope with, or to even... Read More
25 years later, the radical queerness of ‘A Very Brady Sequel’ lives on
We’re living in an IP hellscape. Superheroes dominate the box office, Disney shamelessly mimeographs their earlier animated offerings, and (although I turned it off an... Read More
‘What We Do in the Shadows’ Season 3 review: The Emmy-nominated series remains a blood-thirsty spectacle of fun and outrageousness
What We Do in the Shadows, a comedy about three vampire studs and their adventures created by Jermaine Clement and Taika Waititi in 2014, was... Read More
‘The Night House’ review: Rebecca Hall is tremendous in David Bruckner’s tense, twisty horror thriller
When will the world finally wake up and recognize the wondrous talents of Rebecca Hall? Not only has the actress conquered nearly every genre, from... Read More
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers 
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc 
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978) 
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]