‘Benedetta’ review: Praise be, Paul Verhoeven’s silly and sizzling hot nun summer is here [Cannes Review]
“We’re all entitled to a sin,” one nun confesses to her attentive Sister Benedetta (Virginie Efira). And sin she indeed does, so much so that... Read More
Reviews
‘After Yang’ review: Kogonada’s lo-fi sci-fi is a meditative gem propelled by Colin Farrell’s most soulful performance [Cannes Review]
If Columbus was a bold attempt to resurrect slow cinema with a Gen Z-friendly storyline and progressive ideas, After Yang feels like Kogonada challenging himself... Read More
‘Cow’ review: Andrea Arnold’s wordless documentary movingly focalizes the humanity of animals [Cannes Review]
“Okay, so we’re really gonna watch a cow for two hours,” a fellow attendee said, amused and skeptical, just before the 2 p.m. screening of... Read More
‘The White Lotus’ review: Incisive and heartfelt as ever, Mike White astonishes all over again with his latest HBO outing
Filmed in a quarantine bubble at a Hawaiian resort last year The White Lotus — which is Mike White’s first new show since the brilliance of Enlightened disappeared far... Read More
‘Till Death’ review: Megan Fox has to survive the dead weight of marriage in this killer comeback
“I’m gonna cut myself free of you. If it’s the last thing I do.“ A horror movie with as many obvious metaphors as Till Death... Read More
10 years ago, ‘Harry Potter and the Deathly Hallows Part 2’ taught us how to say goodbye [Retrospective]
It was July 19th, 2011. It was finally Monday, my day off from camp counselor duties, and my fellow Monday day off-ers and I hopped... Read More
‘The Souvenir Part II’ review: Joanna Hogg’s masterful B-Side is both a compassionate exercise on grief and a celebration of feminine rebirth [Cannes Review]
It was only two years ago that writer-director Joanna Hogg carved out a gorgeous memory piece with The Souvenir, telling a hypnotic tale of bad... Read More
‘Annette’ Review: Leos Carax’s occasionally unwieldy rock opera gleefully leans into camp [Cannes Review]
“Fame is like a flame,” Adam Driver’s Henry McHenry says wistfully in his stand-up routine, before a rapt audience. “Glorious, superfluous…” It’s the thesis of... Read More
‘Gossip Girl’ review: HBO’s glossy reboot clout chases the original but misses the cutthroat escapism that made it so fun
Greetings upper east siders. Nearly fifteen years since after the CW first enthralled audiences with the exploits of Blair, Serena, Dan, Nate, Chuck, Jenny, and... Read More
‘The Tomorrow War’ review: Bland sci-fi retreads, repeats yesterday’s tired tropes
There’s no denying the increase in the number of movies that look and feel like video games. Hollywood sees the massive popularity of video games... Read More
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event 
SXSW 2026 Reviews: ‘Family Movie,’ ‘Crash Land,’ ‘Kill Me’ 
San Quentin Film Festival (SQFF) to Hold Event at Central California Women’s Facility 
‘Never After Dark’ Review: Dave Boyle’s Ghostly Spooker Will Keep You Guessing [B] SXSW