Xavier Dolan’s latest is cluttered, uneven but well-intentioned film about repressed love In his follow-up to a string of negatively received films (It Must Be... Read More
Reviews
Joon-ho Bong delivers the best film of the Cannes Film Festival so far Known for his genre-twisting work, Joon-ho Bong is a director that never... Read More
The 1990s saw two major renaissances for Disney, a creative one and a financial one. The Little Mermaid had come out at the end of... Read More
Quentin Tarantino’s latest is a delicious, subversive and audacious takedown of Hollywood In one of his most nuanced, poignant and entertaining films to date, Quentin... Read More
Is Gaspar Noé’s Lux Æterna a big middle finger to the Time’s Up/Me Too movement? Or is it his way of being woke to the... Read More
Ira Sachs’ latest is a hollow yet picturesque film on a decaying star In his follow-up to Little Men, Ira Sachs delivers a picturesque but... Read More
I grew up slightly outside the New York City ball and vogue scene with the likes of legends like Kevin Aviance, Leiomy, Pony Blanik, and... Read More
AwardsWatch’s Eddie Mouradian was front and center at the final stop of the Crazy Ex-Girlfriend Live concert tour (with a surprise appearance by superfan Lin... Read More
Asif Kapadia’s new documentary is an engrossing portrayal of a football legend One of the most interesting documentary filmmakers working today, Asif Kapadia has built... Read More
Robert Eggers follows up The Witch by crafting The Lighthouse, a sublimely nightmarish tale about madness and solitude Few thrillers will draw you in and... Read More

Cannes Review: Xavier Dolan’s ‘Matthias and Maxime’ is an improvement over recent works but still lacks emotional urgency
Cannes Review: Joon-ho Bong’s ‘Parasite’ is breathtaking and heartbreaking
Review: ‘Aladdin’ has flashes of greatness but ends up an overlong retread
Cannes Review: Tarantino’s ‘Once Upon a Time…in Hollywood’ is one of his most nuanced, poignant and entertaining films to date
Cannes Review: Gaspar Noé’s ‘Lux Æterna’ makes a mockery of its own message
Cannes Review: Ira Sachs’ ‘Frankie’ is pretty, vacant
Cannes Review: ‘Port Authority’ embraces diverse storytelling but is a reminder there’s a long way to go in terms who gets to tell them
Review: ‘Crazy Ex-Girlfriend Live’ but also a damn FYC plea to the Emmys
Cannes Review: Asif Kapadia’s ‘Diego Maradona’ scores as an engrossing doc on the price of fame
Cannes Review: ‘The Lighthouse’ Willem Dafoe and Robert Pattinson go toe to toe in Robert Eggers’ impeccably crafted new film
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10