What is striking about The Dreamed Adventure is how quietly it unfolds at first. The film begins almost like a subdued thriller, a mysterious search... Read More
Reviews
The tales and lessons found within Greek mythology have struck a chord with audiences for centuries. The heroes and deities in these stories may not... Read More
When coming to the Cannes Film Festival, a number of factors go into selecting films to fill your viewing schedule for the two-week celebration of... Read More
Lukas Dhont has a penchant for one-word titles: Girl, Close, Coward. On the surface, they’re almost aggressive in their curtness, rigid in their definition. But... Read More
Leah Nelson’s latest animated film, Tangles, is an emotionally devastating tearjerker that studies the painful and troubling experience of a family dealing with Alzheimer’s. There... Read More
Sometimes it’s nice to show up at the cinema for a genre programmer that gives you exactly what you expect — a polished studio horror... Read More
Simply the idea of coming to the Cannes Film Festival carries with it a slew of hopes and dreams, a true pinch me experience at... Read More
André Brassard’s 1974 French Canadian film Il était une fois dans l’Est (Once Upon a Time in the East), a story of cabaret drag queens... Read More
There’s a moment early in Ryusuke Hamaguchi’s wondrous new film, All of a Sudden, where the camera focuses on an old photo of a woman... Read More
With A Woman’s Life, director Charline Bourgeois-Tacquet is less interested in telling a conventional midlife crisis story than in portraying a constant state of emotional... Read More

‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
‘Tangles’ Review: Julia Louis-Dreyfus Stars in Heartbreaking Yet Beautiful Animated Film Detailing Alzheimer’s with Humor and Pathos [A] Cannes
‘Passenger’ Review: André Øvredal’s Van Life Haunted House Movie Does Exactly What You Expect and Maybe That’s All It Needs To Do [C+]
‘Hope’ Review: Na Hong-jin’s First Act Monster Mash is Overlong Schlockbuster Core [C-] Cannes
‘The Man I Love’ Review: Rami Malek Gives a Career Best Performance in Ira Sachs’s Ode to Art and Life in 1980s New York [A-] Cannes
‘All of a Sudden’ Review: Virginie Efira and Tao Okamoto are Luminous in Ryusuke Hamaguchi’s Life-Affirming Wonder [A] Cannes
‘A Woman’s Life’ Review: Léa Drucker Elevates an Uneven Portrait of Female Exhaustion [C] Cannes
‘you seem pretty sad for a girl so in love’ Album Review: Olivia Rodrigo Makes the Poison Sound Like the Cure [A-]
‘The Death of Robin Hood’ Review: Gritty Take on the Folk Legend Takes Rich Text and Makes it Poor [C-]
Daddy Issues, Aliens, Sharks, and Nazi Hunters: Ranking Our 15 Favorite Steven Spielberg Films
Interview: Leslie Bibb Straps In to Talk About Her Hilarious Guest Spot on the Final Season of ‘Hacks’