The phrase “a love letter to…” has become such a cliché that it is almost meaningless nowadays, and yet, there is no more apt description... Read More
Reviews
Some comedies are largely accessible, with great performances and a compelling story that not only keeps the laughs going but makes us come back to... Read More
Jay Duplass’s latest feature, See You When I See You, feels light-years removed from the shaggy, conversational looseness that once defined Mumblecore. Where Duplass’s early... Read More
Andrew Stanton’s career at Pixar once unfolded with the clean inevitability of a well-told parable. He directed A Bug’s Life, Finding Nemo, and WALL•E—films that... Read More
The Sundance Film Festival has long been a place for emerging filmmakers to introduce themselves and their stories to friendly crowds who love quirky, weird... Read More
Romantic partnerships are rife with stories to tell and emotions to explore. This is why there are endless movies about them. People longing for love,... Read More
While Sam Raimi has helmed two films since 2009’s Drag Me to Hell, it’s hard to say the horror auteur’s signature filmmaking personality has been... Read More
The world of modern art is enigmatic and inaccessible to some, a way of life for others. Rotating exhibitions at museums of modern art may... Read More
What do you get when you mix generational trauma and health wellness and sexual identity and ghosts and cadavers and diet culture and binge eating... Read More
The moment Cooper Hoffman’s Elliot awakens with a bloody lip and wearing only a pink lacy bra and panties, it’s clear Gregg Araki’s new film... Read More

‘The Only Living Pickpocket in New York’ Review: John Turturro is Wonderful as a Timeless Anti-Hero with a 1970s Vibe [A-] | Sundance
‘Gail Daughtry and the Celebrity Sex Pass’ Review: We’re Not in Kansas Anymore, Jon Hamm [C+] | Sundance
‘See You When I See You’ Review: Jay Duplass’s Overly Careful Tale of Family Grief Remains at Arm’s Length [C+] | Sundance
‘In the Blink of an Eye’ Review: Andrew Stanton’s Feature Film Return is an Epic, Triptych Timeline Stunner [A] | Sundance
‘Wicker’ Review: Olivia Colman Makes a Real Boy Out of Alexander Skarsgård in Fun, Bawdy Fable [B+] Sundance
‘The Invite’ Review: Who’s Afraid of Olivia Wilde? [A] | Sundance
‘Send Help’ Review: Rachel McAdams Goes Into ‘Survivor’ Mode Against Bad Boss Dylan O’Brien [B+]
‘The Gallerist’ Review: Art Imitates Death in Cathy Yan’s Stylized and Funny Sendup on Navel Gazing Art World [B+] | Sundance
‘Saccharine’ Review: Stop Relying on That Body-ody-ody Horror [C] | Sundance
‘I Want Your Sex’ Review: Cooper Hoffman and Olivia Wilde Get Natural and Habitual in Gregg Araki’s Surprisingly Insightful Dom-Com [B+] | Sundance
‘Mint’ Review: Ambition Outpaces Impact in ‘Snapper’ Director Charlotte Regan’s Stylish BBC Crime Drama Series [C+] Berlinale
‘17’ Review: Kosara Mitić’s Devastating Debut Exposes the Cost of Silence and Complicity [B] Berlinale
Vancouver Film Critics Circle (VFCC) Winners: ‘One Battle After Another,’ ‘Sinners’ Take Top Awards
Sundance Film Festival Announces 2027 Dates, Boulder Venues