As our world gets more chaotic, TV shows about post-apocalyptic survivors are sometimes strangely comforting and cathartic. There are zombie stories like The Walking Dead... Read More
Reviews
When the director of an impressive film made on a shoestring budget gets to spread their wings a bit with access to more money and... Read More
Black History Month is not only a month where we acknowledge pivotal Black figures throughout history, and a form of acknowledgment that should be year-round,... Read More
Amy Adams gazes just past the camera. Her expression is tired, hollow, as if any additional emotion would already be too much. In this extended... Read More
Over the past decade, Sundance has increasingly become a home for films that resist spectacle in favor of proximity. That sensibility now finds an extension... Read More
Smoke hangs heavy over the scorched earth. In the distance, cannon fire rumbles like the aftershocks of a catastrophe that has long since occurred and... Read More
It is the summer of 2002 in a suburban corner of Arkansas. Dust dances in golden light, toilet paper flutters from treetops after a teenage... Read More
There are plenty of films about artists. It’s seemingly one of the go-to professions for screenwriters to explore. How many films have we seen –... Read More
Chaos and order. Shown but not told specifics of crime and law enforcement. A stoic protagonist with an underfurnished, beach-adjacent apartment. These are ideas central... Read More
When Emily Brontë published her only novel, “Wuthering Heights,” in 1847, it was incredibly transgressive and disruptive. The violence and frank portrayal of obsession and... Read More

‘Paradise’ Season 2 Review: There Goes the Neighborhood [B-]
‘How to Make a Killing’ Review: The Latest Eat the Rich Satire is Starving to Death [C-]
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’
‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale
‘Take Me Home’ Review: Liz Sargent’s Intimate Caregiving Drama Confronts a System Built to Fail [B-] Berlinale
‘Rose’ Review: Sandra Hüller Commands the Screen in Gender-Bending Period Piece with a Towering, Career-High Performance [A-] Berlinale
‘Mouse’ Review: Sophie Okonedo and Katherine Mallen Kupferer Shine in Tender Portrait of Grief and Growing Up [B+] Berlinale
‘Kokuho’ Review: The Vibrant World of Kabuki is Spectacularly Recreated in Lee Sang-il’s Resilient Character Study [B+]
‘Crime 101’ Review: Chris Hemsworth Brings the Heat in Michael Man-Influenced Actioner as Good as its Title is Bad [B+]
“Wuthering Heights” Review: Emerald Fennell’s Stylish Spin on the Classic Novel is More Bodice Ripper Than Brontë Gripper [C+]
FINAL Frontrunner Friday Oscar Predictions of the 2025/2026 Season
FINAL 2026 Oscar Predictions: BEST PICTURE and BEST DIRECTOR
‘I Love Boosters’ Review: Boots Riley’s Dressed to Excess Cartoon Revolution is Too Much and Not Enough [B-] SXSW
‘Margo’s Got Money Troubles’ Season One Review: Elle Fanning and Michelle Pfeiffer Momedy Hits the Mark [B+]