On a cold, rainy November night in 1943, a disheveled man with a long overcoat and a bottle of booze fell to the ground unconscious,... Read More
Reviews
You can’t discuss Pixar’s first original TV series, Win Or Lose, without bringing up what has been lost in the cutting room. Disney were hardly... Read More
Almost every healthcare system worldwide is in crisis, overwhelmed with record demand, underfunding and a lack of staff on shifts. Swiss writer-director Petra Volpe highlights... Read More
More than ten years after the film she produced —Diao Yinan’s Black Coal, Thin Ice — won the top prize at the 64th Berlinale, Vivian... Read More
“What’s it like, dying?”, is a question that marks the one thing humans will always find it impossible to communicate. The limits of our own... Read More
Valentine’s Day. A prime time for flowers, chocolates, raising single awareness, and, above all, rom-coms. Putting on a film like When Harry Met Sally.. or... Read More
Death looms like a specter in nearly all of Osgood Perkins’ films. Consider the chilly threat of the beyond in The Blackcoat’s Daughter, the dark... Read More
It has been two years since the shocking season finale that left one of our favorite Yellowjackets dead and another being hauled away on a... Read More
In terms of its status amongst critics and film lovers, Paddington has got to be one of the most unlikely film franchises ever to gain... Read More
It’s an accepted fact that at this point in the Marvel Cinematic Universe’s lifecycle, keeping up with the extended lore and returning characters means slogging... Read More

‘Blue Moon’ Review: Ethan Hawke and Andrew Scott Sizzle in Richard Linklater’s Tragicomic Valentine to Love and Broadway [A-] – Berlinale
‘Win or Lose’ TV Review: Pixar’s First Series Takes Some Bold Swings but Strikes Out with Trans Character Erasure [B]
‘Late Shift’ Review: Tense, Hospital-set Thriller Highlights a Hidden Crisis and a Powerful Performance from Leonie Benesch [B+] – Berlinale
‘Girls On Wire’ Review: Vivian Qu’s Third Film Paints an Unforgiving Portrait of Two Cousins Trying to Outrun Their Fate [C] – Berlinale
‘Mickey 17’ Review: Bong Joon-ho is Back with One of the Best and Goofiest Robert Pattinson(s) Performances Ever [B] – Berlinale
Make it a Double Feature: ‘The Brood’ and ‘Possession’
‘The Monkey’ Review: Osgood Perkins’ Midnight Movie Bloodbath is Caught Between Gruesome Irony and Flat Melodrama [C]
‘Yellowjackets’ Season 3 Review: Showtime’s Buzziest Series Still Stings [B]
‘Paddington in Peru’ Review: Third Time’s a Bit Less Charming for Cinema’s Most Lovable Bear [B-]
‘Captain America: Brave New World’ Review: Marvel Continues to Self-Perpetuate Their Own Impending Irrelevance [D+]
Colman Domingo to Receive Variety Creative Conscience Award at 50th San Francisco International LGBTQ+ Film Festival (Frameline50)
Interview: Ildikó Enyedi on Working with Tony Leung and Léa Seydoux and Her Triptych Storytelling in ‘Silent Friend’
Winners Announced for Golden Gate, Audience Awards of the 69th San Francisco International Film Festival (SFFILM)
‘Mortal Kombat II’ Review: Our Champions Have Leveled Up for Round Two [B]