If it’s possible for a billion-dollar franchise to accrue a “cult following,” the Venom films have done so. The original film, a massive domestic hit... Read More
Reviews
I don’t play video games, as to quote the great modern philosopher Adrian Chiles, they’re not good for your mental health if “you play like... Read More
I kicked off day three of the Middleburg Film Festival at one of this year’s most compelling venues: the Conversation with Colman Domingo and Clarence... Read More
Maybe a cunt pillow is the last thing you’d expect to get shipped out of Manhattan, Kansas, but Somebody Somewhere has proven through its first... Read More
The Middleburg Film Festival is set against the picturesque backdrop of historic Virginia. The 12th edition of this wonderful event is taking place this weekend... Read More
There’s something magical about stop motion animation. Hollywood’s era of ever-escalating CGI tricks is over, replaced by substandard digital slop, or worse, AI-generated horrors. But... Read More
In Vitro Fertilization, IVF, is a modern miracle, with 12 million babies born out of this process since it was first pioneered in the 1970s.... Read More
Sports movies have a well-earned reputation for being inspiring. The thrill of victory, the exhilarating triumph of an underdog team, the joy of watching a... Read More
Smile 2, the sequel to 2022’s horror franchise breakout, opens with one of the boldest sequences you’ll find in mainstream cinema this year. We’re re-introduced... Read More
It’s no secret that not all countries are keeping pace with the most populous Western nations when it comes to progress in LGBTQ rights, which... Read More

‘Flow’ Review: Earnest Feline Spin on Climate Change Era Noah’s Ark Story Lacks Boldness | London Film Festival
2024 Middleburg Film Festival Diary Days 3 and 4: Isabella Rossellini Talks ‘Conclave;’ Coffee and Contenders, plus ‘Nightbitch,’ ‘The Room Next Door’
‘Somebody Somewhere’ TV Review: HBO’s Underrated Heartland Comedy Closes as Hilarious as Ever
2024 Middleburg Film Festival Diary Days 1 and 2: ‘Blitz,’ ‘The Brutalist,’ ‘Memoir of a Snail,’ ‘Better Man’
‘Memoir of a Snail’ Review: Adam Elliot’s Quirky and Beautiful Animated Tale is Profoundly Human | Chicago International Film Festival
‘Joy’ Review: The Clash Between Religion and Science Over the Early Stages of IVF Feels All Too Prescient | London Film Festival
‘Eephus’ Review: A Deceptively Simple, Nearly Pitch Perfect Non-Sports Sports Story | Chicago International Film Festival
‘Smile 2’ Review: Light Up Your Face with Gladness; Parker Finn’s Horror Franchise Sequel is Overly Familiar but Boasts an Impressive Sense of Style
‘Three Kilometers to the End of the World’ Review: Emanuel Pârvu’s LGBTQ Story is Missing a Queer Path to Authenticity | London Film Festival
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event
SXSW 2026 Reviews: ‘Family Movie,’ ‘Crash Land,’ ‘Kill Me’
San Quentin Film Festival (SQFF) to Hold Event at Central California Women’s Facility
‘Never After Dark’ Review: Dave Boyle’s Ghostly Spooker Will Keep You Guessing [B] SXSW