After the critical and commercial success of Detention, it was only a matter of time before Taiwanese filmmaker John Hsu would visit ghosts again. But... Read More
Reviews
I have to imagine that one of the most difficult parts of making a documentary is that when real life writes the plot, you really... Read More
Horizon: An American Saga – Chapter 1 made only $36 million at the box office, prompting Warner Bros. to yank Chapter 2 from its original... Read More
Life affirming dramas or tear-jerking romcoms should do at least one of those things—affirm life, or make you cry a little while amused by the... Read More
ANORA (dir. Sean Baker, NEON) Mikey Madison is truly an iconic star. As the spunky Ani, an exotic dancer from Brooklyn, Madison owns the screen... Read More
Love, the second film in Norwegian writer-director Dag Johan Haugerud’s trilogy exploring human connections (Sex premiered this year at the Berlinale and Dreams is still... Read More
Haunted houses are scary, but the hidden personal demons that are common in our modern society are at least just as disturbing. In Steven Soderbergh’s... Read More
In his third feature, Swedish filmmaker Magnus von Horn delivers a striking look at one of Denmark’s most haunting crimes. What could have been a... Read More
With the streaming bubble on the verge of collapse and cable in continual freefall, we’re seeing more and more filmmakers making movies about the television... Read More
In this Telluride Film Festival capsule review edition we’ve got Joshua Oppenheimer’s golden age musical The End, Jacques Audiard’s Cannes-winning musical Emilia Peréz and Jason... Read More

‘Dead Talents Society’ (鬼才之道) Review: John Hsu Crafts a Hilarious and Deeply Referential Ghost Story with a Big Heart | TIFF
‘No Other Land’ Review: Basel Adra’s Palestinian Doc is a Story of Survival and Resilience and Demands Your Attention | TIFF
‘Horizon: An American Saga – Chapter 2’ Review: I Think We’ve Seen This Film Before and We Still Don’t Have an Ending | Venice
‘We Live in Time’ Review: Florence Pugh, Andrew Garfield Romantic Drama is Less a Tear-Jerker and More Like a Forced Extraction | TIFF
2024 Telluride Film Festival Capsule Reviews: ‘Anora,’ ‘September 5,’ ‘The Piano Lesson’
‘Love (Kjærlighet)’ Review: First There Was ‘Sex,’ Now Dag Johan Haugerud’s Middle Trilogy Film Looks for What ‘Dreams’ May Come | Venice
‘Presence’ Review: Steven Soderbergh’s Haunted House Drama is Quietly Terrifying | TIFF
‘The Girl with the Needle’ Review: Magnus von Horn Serves a Gripping and Bleak Tale of Unspeakable Violence | TIFF
‘The Luckiest Man in America’ Review: A Game Show Scandal Fuels a Compelling Character Study with an Uncanny Performance by Paul Walter Hauser | TIFF
2024 Telluride Film Festival Capsule Reviews: ‘The End,’ ‘Emilia Peréz,’ ‘Saturday Night’
Producers Guild (PGA) and Screen Actors Actors Guild (SAG) Awards Predictions: More ‘One Battle’ vs ‘Sinners’ Provide the Final Showdowns Before Oscar
‘Mint’ Review: Ambition Outpaces Impact in ‘Snapper’ Director Charlotte Regan’s Stylish BBC Crime Drama Series [C+] Berlinale
‘17’ Review: Kosara Mitić’s Devastating Debut Exposes the Cost of Silence and Complicity [B] Berlinale
Vancouver Film Critics Circle (VFCC) Winners: ‘One Battle After Another,’ ‘Sinners’ Take Top Awards