Major controversies surrounded the 2008 Beijing Olympic Games while they occurred, but it was only after they came to a close that the organisers were... Read More
Reviews
To call Blink Twice an updated, feminist version of Get Out carries a lot of implications all at once—it’s a bit obvious, somewhat reductive, and... Read More
Forty-five years ago, Ridley Scott’s Alien completely changed the game for science fiction filmmaking. It combined aspects of the B-movies of the 1960s with the... Read More
Was Madame Web just the warm-up for a bigger blockbuster disaster on the horizon? Lionsgate’s adaptation of the video game franchise Borderlands – credited to... Read More
It was only a matter of time before author du jour Colleen Hoover received the film adaptation treatment of one of her novels. Hoover made... Read More
In 1998, Guy Ritchie erupted onto the British cinema scene with Lock, Stock and Two Smoking Barrels. The gangster movie, which in itself took inspiration... Read More
Theater and cinema have always had a strange symbiotic relationship. While cinema has, over the decades, become more accessible to view than theater, theater is... Read More
When HBO’s Industry premiered in late 2020, it felt like Gen Z’s Succession with a little Skins in the game. It was a fresh and... Read More
The state of cinema is ravaged with unoriginal, unfulfilling, and downright wasteful popcorn, blockbuster filmmaking. In the past, there used to be an internal process... Read More
The trailer for the upcoming film Trap proudly declares it to be “a new experience in the world of M. Night Shyamalan.” This represents a... Read More

‘Black Dog’ Review: Poetic Rehabilitation Drama Has Compassion For Man and Man’s Best Friend Led By an Extraordinary Eddie Peng
‘Blink Twice’ Review: Zoë Kravitz’s Feminist ‘Get Out’ is Righteously Angry and Frustratingly Derivative
‘Alien: Romulus’ Review: Fede Álvarez’s ‘Alien’ Sequel is a Sometimes Thrilling, Yet Synthetic Greatest Hits Album
‘Borderlands’ Review: Lock This Disaster in a Vault and Throw Away the Key
‘It Ends With Us’ Review: Maybe We Should Have Kept Colleen Hoover on BookTok
‘Duchess’ Review: Neil Marshall’s Charmless Guy Ritchie Rip-Off is a Female Empowerment Forgery
How ‘Sing Sing’ and ‘Ghostlight’ Highlight the Power of Theater as Venues of Survival
‘Industry’ Season 3 Review: It’s Time to Buy Stock in HBO’s Sexy, Live Wire Finance Drama
Faith, Heroes, Monsters, Scares, and Twists: Ranking the Films of M. Night Shyamalan
The Film We Don’t Speak Of – Revisiting M. Night Shyamalan’s Masterpiece ‘The Village’ 20 Years Later [Retrospective]
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10