‘Heretic’ Review: Hugh Grant is a Creep and a Weirdo in Deviously Devilish Debate About Religion | TIFF
Sister Barnes and Sister Paxton are doing missionary work for the Mormon Church. Paxton (Chloe East from The Fabelmans) is a sweet, bubbly chatterbox, while... Read More
Reviews
‘Speak No Evil’ Review: James McAvoy Stars as a Sexy Villain in Remake That’ll Make You Scream
If you thought the streaming era finally helped people get over their fear of the one-inch barrier of subtitles, Hollywood hasn’t received the same memo.... Read More
‘How to Die Alone’ TV Review: Natasha Rothwell Steals the Show (and a Credit Card) as a Natural Born Lead
Near-death experiences famously create dissonance for those involved, a new outlook on life stemming from almost losing it. Natasha Rothwell (Insecure, The White Lotus) has... Read More
‘The Substance’ Review: Coralie Fargeat Feeds Us Moore Gore in Blood-Soaked Rumination on Female Body Image | TIFF
Women know body horror all too well. Before we can even really grasp what they mean, the standards embedded in us tell us our bodies... Read More
‘Without Blood’ Review: Angelina Jolie Directs Salma Hayek and Demián Bichir With Lots of Looks But Little Content | TIFF
Writer/director Angelina Jolie has shown a penchant for challenging films depicting war when she is behind the camera—think First They Killed My Father or Unbroken.... Read More
‘Daniela Forever’ Review: Henry Golding Elevates an Imaginative Sci-Fi Pic That Falls Short of its Full Potential | TIFF
When it comes to sci-fi films about an attempt for romantic connection, movies about machines and AI tend to be prevalent within that canon, from... Read More
‘Pedro Páramo’ Review: Cinematographer Rodrigo Prieto’s Adaptation of the Classic Mexican Magical Realism Novel is Otherworldly | TIFF
Long before M. Night Shyamalan’s characters saw dead people, author Juan Rulfo wrote about a whole bunch of them roaming the streets of an abandoned... Read More
‘On Swift Horses’ Review: Daniel Minahan’s Unsexy Adaptation Rides On Svelte Torsos and Not Much Else | TIFF
While revisionist westerns aren’t exactly popular, they do important work in dispelling the myth of the Great American West. On Swift Horses, Daniel Minahan’s adaptation... Read More
‘The Wild Robot’ Review: An Animated Triumph Destined to Become a Classic with an All-Time Voice Performance from Lupita Nyong’o | TIFF
Never underestimate the power of children’s books. It’s easy to dismiss them as something designed for a child at a stage where they’re learning how... Read More
‘Youth (Homecoming)’ Review: Wang Bing’s 10-Hour Doc Trilogy Disappoints in its Closing Workshop Saga | Venice
Wang Bing’s mammoth Youth documentary trilogy chronicles the lives of migrant workers in Zhili, China, garment sweatshops from 2014 to 2019. The films provide a... Read More
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event 
SXSW 2026 Reviews: ‘Family Movie,’ ‘Crash Land,’ ‘Kill Me’ 
San Quentin Film Festival (SQFF) to Hold Event at Central California Women’s Facility 
‘Never After Dark’ Review: Dave Boyle’s Ghostly Spooker Will Keep You Guessing [B] SXSW