‘Blitz’ Review: A Solid Saoirse Ronan but Steve McQueen’s WWII Story Feels Too Tidy | London Film Festival
Anyone who has grown up in Britain will be intimately familiar with the narrative of the country’s enduring spirit in the Second World War. All... Read More
Reviews
‘My Eternal Summer’ Review: Sylvia Le Fanu’s Debut Feature is an Intimate and Contemplative Tearjerker | London Film Festival
The Danish poet and philosopher N.F.S. Grundtvig is quoted fleetingly in My Eternal Summer. A father recites Grundtvig to his daughter, paraphrasing: “Love will never... Read More
‘The Room Next Door’ Review: She’s Thinking of Ending Things | NYFF
Ten years ago, as I was wrapping up an afternoon shift at my college part-time job, I received a call that made me feel like... Read More
‘Maria’ Review: Angelina Jolie is Bewitching as La Callas in Pablo Larraín’s Delicate Depiction of the Diva | NYFF
Maria Callas was comfortable with death. As the greatest soprano alive, she died on stage night after night at La Scala, Covent Garden, The Met,... Read More
‘The Brutalist’ Review: Everything Old is New Again in Brady Corbet’s Monumental, Novelistic Epic | NYFF
Early in The Godfather Part II, a young, solitary Vito Corleone looks out the window at Ellis Island and sees The Statue of Liberty in... Read More
‘The Shawshank Redemption’ at 30: The Enduring Classic Proves it Can Make it on the Outside
How does a film filled with characters going through existential crises overcome its own to become an enduring classic? When it comes to hailing a... Read More
We’re Not Dunne Yet: A ‘Gone Girl’ 10th Anniversary Retrospective and its Deserved Oscar Legacy
Our relationship to pop culture is deeply personal. Yes, there are numerous monoculture moments, starting with The Beatles and Elvis causing mass hysteria on The... Read More
‘Misericordia’ Review: Into the Woods the Path Isn’t So Straight | NYFF
Everyone has a secret they’d take to their grave— but at what cost? And is it really even a secret? Confronting the ghost of a... Read More
‘Megalopolis’ Review: Francis Ford Coppola Loses Himself in a Messy Matrix of Formless Ideas | NYFF
Throughout Megalopolis, we see Cesar Catalina (Adam Driver) control time, with the ability to stop and start it upon command. This makes him, in the... Read More
‘A Very Royal Scandal’ TV Review: Dutiful and Boring, There’s Simply No Scoop Here
Can a movie about an interview reveal more about its subject than the interview itself? With the recent, Emmy-nominated Netflix movie Scoop – adapted from... Read More
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