It was only a matter of time before author du jour Colleen Hoover received the film adaptation treatment of one of her novels. Hoover made... Read More
Reviews
In 1998, Guy Ritchie erupted onto the British cinema scene with Lock, Stock and Two Smoking Barrels. The gangster movie, which in itself took inspiration... Read More
Theater and cinema have always had a strange symbiotic relationship. While cinema has, over the decades, become more accessible to view than theater, theater is... Read More
When HBO’s Industry premiered in late 2020, it felt like Gen Z’s Succession with a little Skins in the game. It was a fresh and... Read More
The state of cinema is ravaged with unoriginal, unfulfilling, and downright wasteful popcorn, blockbuster filmmaking. In the past, there used to be an internal process... Read More
The trailer for the upcoming film Trap proudly declares it to be “a new experience in the world of M. Night Shyamalan.” This represents a... Read More
If ever there was a movie “for the fans,” it’s Deadpool & Wolverine, which requires an elevated level of Marvel Cinematic Universe fandom and/or business... Read More
“If you like this movie like i do, your rolling on the floor. Every second is purely genius. If you liked it for real, your... Read More
As a horror buff, for the next edition of Make It a Double Feature I’ve chosen two films about trips gone wrong for this month’s... Read More
Found footage is the cinematic equivalent of an urban legend or a story that campers tell around the fire. Intentionally poor production choices are part... Read More

‘It Ends With Us’ Review: Maybe We Should Have Kept Colleen Hoover on BookTok
‘Duchess’ Review: Neil Marshall’s Charmless Guy Ritchie Rip-Off is a Female Empowerment Forgery
How ‘Sing Sing’ and ‘Ghostlight’ Highlight the Power of Theater as Venues of Survival
‘Industry’ Season 3 Review: It’s Time to Buy Stock in HBO’s Sexy, Live Wire Finance Drama
Faith, Heroes, Monsters, Scares, and Twists: Ranking the Films of M. Night Shyamalan
The Film We Don’t Speak Of – Revisiting M. Night Shyamalan’s Masterpiece ‘The Village’ 20 Years Later [Retrospective]
‘Deadpool & Wolverine’ Review: Movies, Now Less Than Ever!
Retrospective: Worst Picture/Best Picture – ‘Catwoman’ and ‘Million Dollar Baby’ (2004)
Make It a Double Feature: Go on the Vacation from Hell with ‘Midsommar’ and ‘Barbarian’
‘The Blair Witch Project’ at 25: The Birth of Found Footage and the Price of Naive Ambition
The 79th Cannes Film Festival Lineup is Here, With A Strong Global Slate of Films from Ryusuke Hamaguchi, Cristian Mungiu, Jane Schoenbrun, and More
Laura Dern, Carol Burnett, Cameron Crowe Added to TCM Classic Film Festival; Rare ‘Letty Lynton’ Restoration Set
Academy Award-winning Filmmaker Steven Bognar Boards Yael Bridge’s ‘Who Moves America’ Doc as Executive Producer [EXCLUSIVE]
‘Euphoria’ Season 3 Review: What’s Left to Do for the Teens of East Highland High but to Rue the Day [C+]