Rarely do debut features feel as confident as Makbul Mubarak’s Autobigraphy, an electrifying, bold and heartbreaking film that sends an urgent message about Indonesia’s decaying... Read More
Reviews
It’s immediately visible that Siccità, or Dry, is setting a grand stage for an incisive comment on the dire nature the world is in. After... Read More
Maryam Touzani’s second feature breaks major ground for Arab cinema with a bold, absorbing and heartbreaking ode to love. For those familiar with Middle Eastern... Read More
Every action has a reaction. June Osborne perfectly embodies the phrase, especially after the events of season 4 of The Handmaid’s Tale. The sentence can, in... Read More
In a lively interview with Sight & Sound to mark the release of Blonde, director Andrew Dominik describes his mission as recreating the “images” of... Read More
The best and most interesting Disney remakes have always been the ones with something different to say, where the fundamental story beats are there but... Read More
It’s November 2013, and in the small town of Berck-sur-mer, in northern France, a 15-month old baby is found dead on a beach. It’s a... Read More
Director Luca Guadagnino is working on levels of comfort, or discomfort, most directors take their entire career to find. His last two directorial efforts brought... Read More
Florian Zeller’s stage trilogy about parent-child relationships and the devastating consequences of mental illness was one of the biggest surprises in the theater world of... Read More
The legitimacy of miracles is front in center in Sebastián Lelio’s eerie period piece, The Wonder. Some people argue that miracles come in all forms... Read More

‘Autobiography’ review: Makbul Mubarak’s debut feature is a harrowing tale of lust for power and deeply rooted corruption [A-] | Toronto
‘Siccità’ review: Paolo Virzì’s Italian apocalyptic satire sinks its teeth into the pandemic, climate change but bites off more than it can chew [C] | Venice
‘The Blue Caftan’ review: A groundbreaking LGBTQ film of MENA cinema [A-] | TIFF
‘The Handmaid’s Tale’ review: Season five delivers another shocking entry about grief, retaliation and bodily autonomy [A]
‘Blonde’ review: Ana de Armas plays Marilyn Monroe the celebrity in Andrew Dominik’s incendiary but sometimes frustratingly conventional biopic [B] | Venice Film Festival
‘Pinocchio’ review: A wooden imitation of the classic [C-]
‘Saint Omer’ review: Alice Diop’s affecting story about motherhood is a stunner [A] | Venice Film Festival
‘Bones and All’ review: Taylor Russell and Timothée Chalamet are fine young cannibals in Luca Guadagnino’s gory, romantic road-mance [A-] | Telluride Film Festival
‘The Son’ review: Florian Zeller’s sophomore effort disappoints despite a great Hugh Jackman [C+] | Venice Film Festival
‘The Wonder’ review: Florence Pugh’s performance and Ari Wegner’s cinematography deliver in Sebastián Lelio’s effective gothic drama [B] | Telluride Film Festival
Philadelphia Film Critics Circle (PFCC) Winners: ‘One Battle After Another,’ ‘Sinners’ Fight It Out
Boston Online Film Critics Association (BOFCA) Winners: ‘One Battle After Another,’ Wagner Moura, Rose Byrne and More
Georgia Film Critics Association (GAFCA) Nominations: ‘One Battle After Another’ Leads with 12
Delroy Lindo, Michelle Satter, Sony Pictures Among African American Film Critics Association (AAFCA) Honorees