It is both the blessing and the burden of just about every modern horror movie that it must be about trauma. It’s not just an... Read More
Reviews
Thomas Wright’s Australian detective drama stars Joel Edgerton and Sean Harris, and it’s a gripping film that is unconventionally delicate. This delicacy in the storytelling... Read More
Rosaline is a mysterious character in Shakespeare’s Romeo and Juliet. She’s never seen, but is mentioned often by Romeo and his friends as the object... Read More
Late in Joanna Hogg’s exquisite autobiographical b-side, The Souvenir Part II, our protagonist finds herself wandering through a hall of mirrors. Julie Hart (Honor Swinton... Read More
It’s 1988 in Tyneside, North East England, and Margaret Thatcher has been Prime Minister for a year when the conservative government enacts Section 28, a... Read More
In Cristian Mungiu’s drama R.M.N., there is something scary in the woods. Perhaps it is a bear, hungry in midwinter, or perhaps a monster, a... Read More
In a world of 3D animation and complicated concepts, My Father’s Dragon is a refreshingly simple and sweet coming-of-age story with gorgeous hand-drawn animation. The... Read More
The opening frame of Roald Dahl’s Matilda the Musical is startling, absurd, as animation-like rays beam off of newly born children as their parents sing... Read More
There is an interesting link between space and the way people behave. Filmmaker Hong Sang-soo uses space and setting to weave a quiet narrative in... Read More
Mike Flanagan, creator of The Haunting of Hill House, Bly Manor and Midnight Mass, continues his winning streak with Netflix as his latest delivers the startling scares, atmosphere and... Read More

‘Nanny’ review: Predictability hobbles what could have been a fascinating take on the horror of trauma | LFF
‘The Stranger’ review: Joel Edgerton and Sean Harris face off in this taut, unnerving Australian detective drama [B+] | LFF
‘Rosaline’ review: Kaitlyn Dever is delightful in this cheeky take on a Shakespeare classic [B-]
‘The Eternal Daughter’ review: Tilda Swinton sees double in Joanna Hogg’s mother-daughter gothic ghost story [A-] | NYFF
‘Blue Jean’ review: Georgia Oakley’s searing feature debut is a remarkably poignant British drama of the viciously homophobic Thatcher era [A] | LFF
‘R.M.N.’ review: Cristian Mungiu’s Transylvanian drama reminds us who the real monsters are [B+] | NYFF
‘My Father’s Dragon’ review: Cartoon Saloon’s cute coming-of-ager soars with a fantastic voice performance from Gaten Matarazzo [B+]
‘Roald Dahl’s Matilda the Musical’ review: A joyous, magical, fun-filled adventure [B+] | LFF
‘Walk Up’ review: Hong Sang-soo toys with physical framing and structure to find the spaces in between relationships [B+] | NYFF
‘The Midnight Club’ review: Mike Flanagan scores again with YA horror full of kills and thrills [A]
AwardsWatch Podcast Ep. 342: Reviewing ‘Mother Mary’
On the Shelf: ‘Send Help,’ ’28 Years Later: The Bone Temple,’ ‘Die My Love,’ “Sleepers,’ and ‘Point Blank’ Highlight the 4K Physical Media releases for the Week of April 20
AwardsWatch Podcast Ep. 341 – Diving into Emmy Season with First Predictions
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers