Cannes Review: Riley Keough and Gina Gammell’s ‘War Pony’ is a well-intended but often performative look at letting Lakota people telling their stories [Grade: B-]
The origin story of Riley Keough and Gina Gammell’s feature debut, War Pony, coincides with the production of another film, Andrea Arnold’s 2016 Cannes Jury... Read More
Reviews
Cannes Review: Paul Mescal plays a troubled father in Charlotte Wells’ delicately stunning debut, ‘Aftersun’ [Grade A-]
What can we do with our fickle memories of childhood, especially the ones painting our parents with idealistic brush strokes, as if they were something... Read More
Cannes Review: ‘Showing Up’ gets closer to Kelly Reichardt’s creative process than any of her films yet [Grade: A-]
A disarmingly down-the-line film about a repressed artist trying to communicate a little better with the people around her, Kelly Reichardt’s Showing Up is a... Read More
Cannes Review: Lukas Dhont’s ‘Close’ is a delicate coming of age tale with a miraculous debut performance from Eden Dambrine [Grade: A]
Lukas Dhont’s sophomore feature, Close, is a remarkably well-directed film about childhood grief in a time maybe of its greatest need. It’s a great next... Read More
‘P-Valley’ Season Two review: Uncle Clifford and the girls are back open for business in the midst of COVID [Grade: B-]
It’s been two years since Starz’s breakout summer hit P-Valley has graced the small screens for viewers. The first season premiered in the beginning of... Read More
Cannes Review: Margaret Qualley and Joe Alwyn set their love ablaze in Claire Denis’ steamy Nicaragua-set romance ‘Stars at Noon’ [Grade: A]
Trish (Margaret Qualley) is a journalist whose press card is being revoked and her stay in Nicaragua compromised, and her way of making ends meet... Read More
‘Fire Island’ review: Escape to a Never-Never Land full of tea and sympathy in the year’s funniest and sexiest queer rom-com [Grade: A-]
Fire Island is a bright celebration of what friendship stands for: sharing laughs and creating fond memories with your best Judys through thick and thin.... Read More
Cannes Review: ‘Elvis’ is a terrible yet wildly entertaining biopic featuring a brilliant titular performance by Austin Butler [Grade: C+]
A fiercely conventional biopic with all the musical analysis of a Spotify playlist, Baz Luhrmann’s Elvis is, more often than not, an affront to cinema.... Read More
Cannes Review: Hirokazu Kore-eda’s ‘Broker’ is a tender story of chosen families led by a beguiling performance from Lee Ji-eun [Grade: A+]
Cannes favourite Hirokazu Kore-eda, who won the 2018 Palme d’Or for Shoplifters, has returned to the Cote d’Azur-set film festival with another winner, titled Broker.... Read More
One year later, ‘Bo Burnham: Inside’ remains a perfect pandemic time capsule [Retrospective]
Bo Burnham: Inside is premised upon both a literal and artistic isolation; a one-man special created in a backyard shed, written, directed, edited, and filmed... Read More
Philadelphia Film Critics Circle (PFCC) Winners: ‘One Battle After Another,’ ‘Sinners’ Fight It Out 
Boston Online Film Critics Association (BOFCA) Winners: ‘One Battle After Another,’ Wagner Moura, Rose Byrne and More 
Georgia Film Critics Association (GAFCA) Nominations: ‘One Battle After Another’ Leads with 12 
Delroy Lindo, Michelle Satter, Sony Pictures Among African American Film Critics Association (AAFCA) Honorees