Robert Altman’s Nashville has often been described as the best American film ever made. I have never interpreted that superlative literally—as in, it is the... Read More
Retrospective
For nearly thirty years, audiences around the world have watched one man accept impossible missions while performing ridiculous stunts to save the world from a... Read More
It’s safe to say that moviegoers are experiencing major cases of Sinners fever. Between its immense critical acclaim and its bona fide success, making almost... Read More
You know when someone smells the rotten milk and says “Oh god, this is horrible, smell this.” And then you smell it, knowing it will... Read More
Valentine’s Day. A prime time for flowers, chocolates, raising single awareness, and, above all, rom-coms. Putting on a film like When Harry Met Sally.. or... Read More
20 years ago, a master was at work, yet again. With The Aviator (2004), Martin Scorsese focused on the life of Howard Hughes, and one... Read More
When it comes to forming Christmas movie watchlists, one potential pitfall is not only figuring out what to watch, but being at risk of watching... Read More
Election fraud. A migrant crime wave. Immigrants eating pets. FEMA exploiting hurricane survivors. The Democrats controlling the weather. These are just a few of the... Read More
The deal with the devil is one of our oldest human stories. Most references to this idea will lead you to the story of Faust(us).... Read More
With Halloween approaching, this month’s column entry is an ideal opportunity to recommend good scary movies. However, instead of usual suspects like the original Halloween... Read More

‘Nashville’ at 50: Robert Altman’s Masterpiece Remains as Timeless, and Prescient, as Ever
Light the Fuse: Ranking the ‘Mission: Impossible’ Franchise
Make it a Double Feature: ‘Saloum’ and ‘Ganja & Hess’
Retrospective: Worst Picture/Best Picture – ‘Dirty Love’ and ‘Crash’ (2005)
Make it a Double Feature: ‘The Brood’ and ‘Possession’
Hollywood Biopics and Mental Health Through the Lenses of ‘The Aviator’ (2004), ‘A Beautiful Mind’ (2001) and ‘Love & Mercy’ (2014)
Make It a Double Feature: Make the Yuletide (Sad and) Gay with ‘All of Us Strangers’ and ‘Queer’
The Parrot Isn’t Saying Anything: How the 2024 U.S. Election Has Proven ‘Under the Silver Lake’ to be Right All Along
‘Phantom of the Paradise’ 50th Anniversary Retrospective: Better the Devil You Know Featuring ‘The Witch’ and ‘Constantine’
Make It a Double Feature: ‘Serial Mom’ and ‘Strait-Jacket’
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes
‘Club Kid’ Review: Jordan Firstman’s Gay Peter Pan Party Boy Tale Gets Raves Across the Board [A-] Cannes
‘Paper Tiger’ Review: James Gray’s New York State of Mind Needs a Rewrite [C-] Cannes