The deal with the devil is one of our oldest human stories. Most references to this idea will lead you to the story of Faust(us).... Read More
Retrospective
With Halloween approaching, this month’s column entry is an ideal opportunity to recommend good scary movies. However, instead of usual suspects like the original Halloween... Read More
On November 9, 1984, Wes Craven’s A Nightmare on Elm Street was released to critical and commercial acclaim, praised for how it leveraged the slasher... Read More
How does a film filled with characters going through existential crises overcome its own to become an enduring classic? When it comes to hailing a... Read More
Our relationship to pop culture is deeply personal. Yes, there are numerous monoculture moments, starting with The Beatles and Elvis causing mass hysteria on The... Read More
For most of us, our tedious and boring lives are rarely interrupted with the amount of drama needed for a narrative film. But they could... Read More
As we make our way through August, we still feel the muggy summer heat. For this month’s column, I’ve gone with two films for those... Read More
Theater and cinema have always had a strange symbiotic relationship. While cinema has, over the decades, become more accessible to view than theater, theater is... Read More
The state of cinema is ravaged with unoriginal, unfulfilling, and downright wasteful popcorn, blockbuster filmmaking. In the past, there used to be an internal process... Read More
The trailer for the upcoming film Trap proudly declares it to be “a new experience in the world of M. Night Shyamalan.” This represents a... Read More

‘Phantom of the Paradise’ 50th Anniversary Retrospective: Better the Devil You Know Featuring ‘The Witch’ and ‘Constantine’
Make It a Double Feature: ‘Serial Mom’ and ‘Strait-Jacket’
‘Shocker’ at 35: Wes Craven’s Beautifully Bonkers Thriller About an Electric Serial Killer Lives On As an Underrated Gem [Retrospective]
‘The Shawshank Redemption’ at 30: The Enduring Classic Proves it Can Make it on the Outside
We’re Not Dunne Yet: A ‘Gone Girl’ 10th Anniversary Retrospective and its Deserved Oscar Legacy
Wrong Place, Wrong Time: ‘The Third Man’ (1949), ‘Collateral’ (2004) and ‘Green Room’ (2016) [Retrospective]
Make It a Double Feature: ‘Beach Rats’ and ‘Red, White & Royal Blue’
How ‘Sing Sing’ and ‘Ghostlight’ Highlight the Power of Theater as Venues of Survival
Faith, Heroes, Monsters, Scares, and Twists: Ranking the Films of M. Night Shyamalan
The Film We Don’t Speak Of – Revisiting M. Night Shyamalan’s Masterpiece ‘The Village’ 20 Years Later [Retrospective]
‘Heated Rivalry,’ ‘Industry,’ ‘Widow’s Bay’ Lead 2026 Television Critics Association (TCA) Nominations
2027 Oscar Predictions: SUPPORTING ACTRESS (June)
‘you seem pretty sad for a girl so in love’ Album Review: Olivia Rodrigo Makes the Poison Sound Like the Cure [A-]
‘The Death of Robin Hood’ Review: Gritty Take on the Folk Legend Takes Rich Text and Makes it Poor [C-]