As we make our way through August, we still feel the muggy summer heat. For this month’s column, I’ve gone with two films for those... Read More
Retrospective
Theater and cinema have always had a strange symbiotic relationship. While cinema has, over the decades, become more accessible to view than theater, theater is... Read More
The state of cinema is ravaged with unoriginal, unfulfilling, and downright wasteful popcorn, blockbuster filmmaking. In the past, there used to be an internal process... Read More
The trailer for the upcoming film Trap proudly declares it to be “a new experience in the world of M. Night Shyamalan.” This represents a... Read More
“If you like this movie like i do, your rolling on the floor. Every second is purely genius. If you liked it for real, your... Read More
As a horror buff, for the next edition of Make It a Double Feature I’ve chosen two films about trips gone wrong for this month’s... Read More
Found footage is the cinematic equivalent of an urban legend or a story that campers tell around the fire. Intentionally poor production choices are part... Read More
There are things that feel like American originals, even if the truth reveals something different entirely. The motorcycle, for instance, has its roots in Germany,... Read More
I. My Sister/My Daughter When I reflect on the films that truly shaped my taste, it’s impossible not to think of Double Indemnity and Chinatown.... Read More
In a recent red carpet interview, Sam Raimi was asked about the possibility of Spider-Man 4—that is, a continuation of Raimi’s own Spider-Man series with... Read More

Make It a Double Feature: ‘Beach Rats’ and ‘Red, White & Royal Blue’
How ‘Sing Sing’ and ‘Ghostlight’ Highlight the Power of Theater as Venues of Survival
Faith, Heroes, Monsters, Scares, and Twists: Ranking the Films of M. Night Shyamalan
The Film We Don’t Speak Of – Revisiting M. Night Shyamalan’s Masterpiece ‘The Village’ 20 Years Later [Retrospective]
Retrospective: Worst Picture/Best Picture – ‘Catwoman’ and ‘Million Dollar Baby’ (2004)
Make It a Double Feature: Go on the Vacation from Hell with ‘Midsommar’ and ‘Barbarian’
‘The Blair Witch Project’ at 25: The Birth of Found Footage and the Price of Naive Ambition
Head Out on the Highway: Of Motorcycles and Men in ‘Easy Rider,’ ‘The Wild One’ and ‘The Bikeriders’ [Retrospective]
Gentlemen Prefer Blondes: The Invention and Deconstruction of the Femme Fatale in ‘Double Indemnity’ (1944) and ‘Chinatown’ (1974) [Retrospective]
20 Years Later, ‘Spider-Man 2’ is Still the Most Human Superhero Movie Ever Made [Retrospective]
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10