The Tribeca Festival, presented by OKX, today unveiled its 2026 television and podcast lineup, taking place June 3–14 in New York City. Highlights include the world premieres... Read More
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It is often said that the sleek, disposable, experience-first superhero blockbusters that have flooded movie theaters for the last two decades are akin to amusement... Read More
“I know I cast a big shadow, even within these four walls.” Every victim in a prolonged cycle of abuse knows the ever-present dread, the... Read More
On episode 342 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Associate Editor Sophia Ciminello to give their thoughts on the news... Read More
This week of physical media releases sees a hand full of new releases from 2026 and 2025, as well as a classic from 1960s and... Read More
On episode 341 of The AwardsWatch Podcast, Executive TV Editor Tyler Doster is joined by AwardsWatch Editor-in-Chief Erik Anderson and Associate TV Editor Karen Peterson... Read More
Among the most celebrated performers at the Tony Awards in recent years has been the iconic Laurie Metcalf. Since her first Tony nomination in 2008,... Read More
Celebrating its 25th anniversary, the Tribeca Festival, presented by OKX, today announced its 2026 feature and short film lineup. Taking place June 3–14 in New York City, the... Read More
On episode 149 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the first film in their Charles Burnett series, Killer of... Read More
Lee Cronin has literally made quite a name for himself. Just seven years since his debut feature The Hole in the Ground premiered at Sundance,... Read More

Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
2026 Tribeca Festival TV Lineup Announced: Season Two Premieres of ‘Adults,’ ‘X-Men ’97’ and More
‘Michael’ Review: It’s Bad, It’s Bad (Really, Really Bad) [D]
‘Half Man’ Review: Richard Gadd’s Brutal Exploration of Malevolence is an Acting Masterclass from Himself and Jamie Bell [A]
AwardsWatch Podcast Ep. 342: Reviewing ‘Mother Mary’
On the Shelf: ‘Send Help,’ ’28 Years Later: The Bone Temple,’ ‘Die My Love,’ “Sleepers,’ and ‘Point Blank’ Highlight the 4K Physical Media releases for the Week of April 20
AwardsWatch Podcast Ep. 341 – Diving into Emmy Season with First Predictions
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]
Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]