Elliot Tuttle knows that he’s playing with fire. His feature debut Blue Film – starring Reed Birney and Kieron Moore – was rejected from multiple... Read More
Other
Few themes have been as beat to the ground in contemporary cinema as family-induced pains. Be it horror allegories, genre-spanning adventures, or prestige dramas, tales... Read More
On episode 343 of the AwardsWatch podcast, Editor-In-Chief Erik Anderson is joined by Associate TV Editor Karen Peterson to review the spring blockbuster sequel The... Read More
Sometimes it pays to wait just a bit longer. With the yearly Board of Governors meeting taking place in April, where any new or changed... Read More
Black Zombie (Dir. Maya Annik Bedward) Zombies have been used in nearly a century’s worth of cinema in arguably more varied ways than any other... Read More
The Academy’s Board of Governors has approved awards rules, inclusion standards and campaign promotional regulations for the 99th Academy Awards, including pushing back on AI and sweeping... Read More
NewFest, New York’s leading LGBTQ+ film and media organization, has announced the full lineup for their sixth annual NewFest Pride summer film series, including the... Read More
The Critics Choice Association (CCA) today revealed the nominees for the eighth annual Critics Choice Real TV Awards, which recognize excellence in nonfiction, unscripted and reality... Read More
On episode 152 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the first film in their Christopher Nolan series, Following (1998).... Read More
With The Madison season one now streaming on Paramount+ and two more seasons already coming, actor Ben Schnetzer has found a happy home on the... Read More

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AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
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‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
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Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
‘Blue Film’ Director Elliot Tuttle and Stars Reed Birney and Kieron Moore Break Down Their Hotly Transgressive and Thought-Provoking Film
‘Blue Heron’ Review: Sophy Romvari Immortalizes a Memory in a Profound Act of Courage [A-] (SFFILM)
AwardsWatch Podcast Ep. 343: Reviewing ‘The Devil Wears Prada 2’
2027 Oscar Predictions: INTERNATIONAL FEATURE FILM (May)
2026 Chicago Critics Film Festival Reviews: ‘Black Zombie,’ ‘The Last One for the Road,’ ‘Loafers,’ ‘You Had to Be There’
Sweeping Oscars Changes: Academy Says No to AI, Opens International Film Eligibility, Allows Multiple Acting Nods in Same Category
2026 NewFest LGBTQ+ Pride Summer Series to Feature ‘STOP! THAT! TRAIN!,’ Outdoor ‘Heated Rivalry’ Screening and More
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Director Watch Podcast Ep. 152 – ‘Following’ (Christopher Nolan, 1998)
Ben Schnetzer on Starring in ‘The Madison’ and Working with Michelle Pfeiffer [VIDEO INTERVIEW]
Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]