Today, Frameline, the queer media nonprofit that will host the landmark 50th San Francisco International LGBTQ+ Film Festival (Frameline50) June 17–27, announced three of its major Festival screenings... Read More
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The Gotham Film & Media Institute announced today the nominations in twelve competitive award categories for the 2026 Gotham Television Awards, recognizing a range of... Read More
The last week of April 2026 brings us a new joint from legendary director Spike Lee, alongside a new trilogy box set from director John... Read More
On episode 151 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the last film in their Charles Burnett series, The Annihilation... Read More
With the 69th San Francisco International Film Festival underway, what better way to get a taste of its program than with some capsule reviews of... Read More
It doesn’t matter whether you call writer-director Macon Blair’s raucous new comedy by its festival-circuit title, The Shitheads, or its cleaner, more marketable new name,... Read More
Ildikó Enyedi’s ‘Silent Friend’ Among 2026 SFFILM Honorees of the Sloan Science in Cinema Initiative
Ildikó Enyedi’s ‘Silent Friend’ Among 2026 SFFILM Honorees of the Sloan Science in Cinema Initiative
Today, SFFILM announced $115,000 in awards and grants for the Sloan Science in Cinema Initiative at the 69th San Francisco International Film Festival, which runs... Read More
In 2004, amplifying Palestinian voices in America meant physically carrying the evidence through the streets. As a DePaul University student and co-founder of its Students... Read More
The 69th San Francisco International Film Festival (SFFILM) kicked off last night Olivia Wilde’s Sundance hit The Invite, starring Seth Rogen, Penélope Cruz, Edward Norton... Read More
Isa Briones is quickly becoming a standout star on both our television screens and live on stage. Playing Dr. Trinity Santos for two seasons so... Read More

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Announces Opening Night, Centerpiece, and Pride Kickoff Films
‘Death by Lightning,’ ‘Big Mistakes,’ Rachel Sennott Lead 2026 Gotham Television Awards Nominations
On the Shelf: ‘Highest 2 Lowest,’ ‘John Singleton’s Hood Trilogy,’ a Nancy Meyers Double Feature and Action-Packed Spectacles Highlight the Physical Media releases for the Week of April 27
Director Watch Podcast Ep. 151 – ‘The Annihilation of Fish’ (Burnett, 1999)
2026 San Francisco International Film Festival Reviews: ‘Two Pianos,’ ‘If I Go Will They Miss Me,’ ‘Filipiñana,’ ‘Elder Son’ [SFFILM]
‘Idiots’ Review: Dave Franco and O’Shea Jackson Jr. Don’t Feel at Home in This World Anymore [B] Atlanta Film Festival
How Badie Ali and Watermelon Pictures are Decolonizing the Film Industry [INTERVIEW]
Olivia Wilde Takes San Francisco by Storm with ‘The Invite’ [Q&A]
Isa Briones Reminisces on Her Two Seasons of ‘The Pitt’ and What She Sees for Santos in the Future [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes