The Cannes Film Festival can present a variety of options for cinephiles to consume over the course of the close to two-week event. Within an... Read More
Other
Steven Spielberg’s Jaws turns 50 years old on June 20th and its cinematic significance can’t be understated. Its colossal financial success gave birth to the... Read More
Jafar Panahi has won the Palme d’Or of the 78th Cannes Film Festival for his politically and personally inspired film It Was Just an Accident,... Read More
The 1980s Chilean AIDS surrealist drama The Mysterious Gaze of the Flamingo has won the top award from the Un Certain Regard section of the... Read More
“It’s a reinterpretation – not a remake!” This is what Spike Lee said back in September 2024 about his latest joint Highest 2 Lowest, inspired... Read More
Each new film by Jafar Panahi feels like a blessing, especially since the Iranian filmmaker has been subject to prison, house arrests, travel and work... Read More
Following the unexpected successes, both critical and commercial (in its native China at least), of 2018’s Long Day’s Journey Into Night, Bi Gan returns with... Read More
Growing up in an old house means getting used to its little idiosyncrasies, just as you would with any other family member. It’s the one... Read More
From the opening frame of Lynne Ramsay’s fifth feature film, Die My Love, we see a house in shambles. A once promising place full of... Read More
In spite of Iran’s excessively punitive stifling of artistic expression, its filmmakers continue to knock it out of the park even at the risk of... Read More

Director Watch Podcast Ep. 144 – ‘A Matter of Life and Death (Powell and Pressburger, 1946) with Special Guest Jesse Nussman
Association of Motion Picture Sound (AMPS) Television and Nonfiction Nominations Announced: ‘Adolescence,’ ‘Black Mirror,’ ‘Slow Horses’ and More
Trailer Watch: ‘Spider-Man: Brand New Day,’ ‘Dune: Part Three,’ Disclosure Day,’ ‘Wild Horse Nine’
‘Anima’ Review: Sydney Chandler and Takehiro Hira Ground Brian Tetsuro Ivie’s Low-Fi Sci-Fi Road Movie [B+] SXSW
Six Join 51st Residence of the Festival de Cannes, including Harry Lighton, Mansi Maheshwari, Oliver McGoldrick
‘Jury Duty Presents: Company Retreat’ Review: The Emmy-Nominated Hit Returns as an Hilarious Workplace Comedy [B+]
‘The Comeback’ Season 3 Review: Cherish is the Word I Use to Describe Lisa Kudrow [A-]
‘Tow’ Review: Rose Has Plenty to Byrne But In Woefully Uninspired Vehicle [C+]
Trailer Watch: ‘Spider-Man: Brand New Day,’ ‘Dune: Part Three,’ Disclosure Day,’ ‘Wild Horse Nine’
Six Join 51st Residence of the Festival de Cannes, including Harry Lighton, Mansi Maheshwari, Oliver McGoldrick
2025 Cannes Film Festival Reviews: ‘The Secret Agent,’ ‘My Father’s Shadow,’ ‘The Plague,’ ‘Splitsville,’ ‘Arco’
‘Dangerous Animals’ Review: Jai Courtney Chews More Scenery Than His Shark Co-Stars [B] Cannes
2025 Cannes Film Festival Winners: I Saw the NEON Glow
2025 Un Certain Regard Winners: ‘The Mysterious Gaze of the Flamingo,’ ‘Urchin’ and More – Cannes
‘Highest 2 Lowest’ Review: Spike Lee Reunites with Denzel Washington and Scores a Smash Hit with His Kurosawa Reinterpretation [B+] Cannes
‘Resurrection’ Review: Let Bi Gans Be Bi Gans [A] Cannes
‘Sentimental Value’ Review: Joachim Trier Constructs a Searing, Tender Family Drama [A] Cannes
‘Die My Love’ Review: Jennifer Lawrence is Grace Under Fire in the Best Performance of her Career [A] Cannes
‘Woman and Child’ Review: Saeed Roustaee’s Iranian Mother Melodrama Finds a Family Torn Part [A-] Cannes
Director Watch Podcast Ep. 144 – ‘A Matter of Life and Death (Powell and Pressburger, 1946) with Special Guest Jesse Nussman
Association of Motion Picture Sound (AMPS) Television and Nonfiction Nominations Announced: ‘Adolescence,’ ‘Black Mirror,’ ‘Slow Horses’ and More
‘Anima’ Review: Sydney Chandler and Takehiro Hira Ground Brian Tetsuro Ivie’s Low-Fi Sci-Fi Road Movie [B+] SXSW