When does an animated classic have a reasonable justification for being remade in live action? Is it when a fresh set of eyes brings a... Read More
Other
Good horror films should terrify audiences with memorable monsters and eerie effects, but great horror will also fearlessly tackle timely issues with complex characters and... Read More
CAFILM to Launch Search for Artistic Director The California Film Institute (CAFILM) announced today that Zoë Elton, the longtime Director of Programming for the Mill... Read More
There’s only one motto that encapsulates both the ethos of the most captivating sci-fi show of the year and the artists who create such a... Read More
There might be no one busier in the world of entertainment than FINNEAS (aka Finneas O’Connell). For close to fifteen years, the Los Angeles native... Read More
On episode 290 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello, AwardsWatch contributor Mark Johnson,... Read More
Light is back in the Emmy conversation with Apple TV’s horror-drama Before and Disney+’s coming of age comedy Out of My Mind, two wildly different... Read More
At the center of Jenny Slate’s performance in every project, you’ll always find the truth. No matter the messiness of a character’s circumstance or the... Read More
Celine Song begins her lovely sophomore feature, Materialists, with a bit of a surprising artistic gamble. We’re surrounded by mountains in nature, and it’s oh... Read More
Maybe Happy Ending, an earnest tale about two robots in love, was the big winner at the 78th Tony Awards tonight, taking home six, including... Read More

Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001)
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
2027 Oscar Predictions: SUPPORTING ACTOR (May)
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
How Judith Light Psychs Us Out in ‘The Terror: Devil in Silver’ and the Secret to Her Long-lasting Career [VIDEO INTERVIEW]
2027 Oscar Predictions: BEST ACTRESS (May)
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
‘How to Train Your Dragon’ Review: Live-Action and CGI Remake Clutches Tight to the Original to Take Flight [C+]
Interview: ‘Queens of the Dead’ Team Praises Rewarding Experience Shooting Queer Comedy-Horror Zombie Flick [Tribeca]
Longtime Mill Valley Film Festival Director of Programming Zoë Elton Moves to Curatorial Role
Interview: ‘Severance’ Cinematographer, Producer, and Director Jessica Lee Gagné Breathes New Life Into the Groundbreaking and Record-Breaking Office Drama [VIDEO]
Interview: FINNEAS on Collaborating with His Friend Alfonso Cuarón and Creating the Score for His First Limited Series, ‘Disclaimer’ [VIDEO]
AwardsWatch Podcast Ep. 290 – Best Actress Tier Ranking: Part Two with Special Guest Kevin Jacobsen
Interview: With ‘Before’ and ‘Out of My Mind,’ Judith Light Continues to Conquer Even the Trickiest of Genres
Interview: Jenny Slate Gets Real About ‘Dying for Sex’
‘Materialists’ Review: Love is Worth the Investment in Celine Song’s Refreshingly Modern Romance [B+]
2025 Tony Awards: Musical ‘Maybe Happy Ending’ Leads Wins with 6; Cole Escola, Nicole Scherzinger Take Top Acting Prizes
Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001)
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
2027 Oscar Predictions: SUPPORTING ACTOR (May)
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’