Paramount has released the second official trailer for Martin Scorsese’s upcoming The Wolf of Wall Street. While this is exciting in its own right, what’s... Read More
Other
One thing a horror film director will never be accused of: directing Oscarbait. While the genre isn’t completely unrepresented in the history of the Academy... Read More
In what’s often a precursor the Oscar nominations, the International Documentary Association (IDA) nominations for the 2013 IDA Documentary Awards have landed. The IDA will honor... Read More
I think time will be kind to Lady Gaga’s Born This Way. Critical favor has a tendency to wax and wane, and after initially... Read More
What Zac Nuccio is listening to this week… –Planningtorock vs. The Knife / “Let’s Talk About Gender Baby, Let’s Talk About You + Me” I confess,... Read More
I had read Cormac McCarthy’s script for The Counselor earlier this year. Like you will no doubt hear in other reviews of the film itself,... Read More
BEVERLY HILLS, CA – The Academy of Motion Picture Arts and Sciences today announced that the field of Documentary Short Subject contenders for the 86th... Read More
What Michael Ward is listening to this week… Songs for Halloween As a couple of my contributions to our roundtable have already attested, I’m a... Read More
It’s Sunday, October 20th and Richard, Long and Erik talk about the current state of the Oscar race including Cate vs. Sandra, has Oscar passed... Read More
Between its middling domestic box office and complete overshadowing by more critically and commercial successful Gravity and Captain Phillips, Rush has almost completely disappeared from... Read More

‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes
‘Club Kid’ Review: Jordan Firstman’s Gay Peter Pan Party Boy Tale Gets Raves Across the Board [A-] Cannes
‘Paper Tiger’ Review: James Gray’s New York State of Mind Needs a Rewrite [C-] Cannes
‘Sheep in a Box’ Review: Koreeda’s Take on the AI-ification of Humanity Feels a Bit Soulless [C] Cannes
Fatherland Review: Sandra Hüller and Hanns Zischler are Sensational in Paweł Pawlikowski’s Transcendent Chamber Piece [A-] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
Wolf of Wall Street trailer #2 arrives, 2013 release confirmed
AwardsWatch’s Top 25 Horror Films of All Time
The International Documentary Association nominations
Lady Gaga: Behind the Aura, the Artifice, and the ARTPOP
AwardsWatch Weekly Music Roundup: Week of October 28, 2013
Review: The Counselor (Ridley Scott, 2013)
40 Becomes 8 for the Documentary Short Subject Oscar
AwardsWatch Weekly Music Roundup: Week of October 21
Oscar podcast #5: October 20, 2013
Could Universal’s Oscar History Save or Sink Rush?
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes