Colson Whitehead’s Pulitzer Prize-winning novel, “The Nickel Boys,” begins with an arresting line: “Even in death, the boys were trouble.” When archaeology students unearthed dozens... Read More
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It took two powerhouse actresses, a story about death, and the lure of a bold new challenge to finally coax Pedro Almodóvar into making his... Read More
If Megalopolis were half decent, it might look a lot like The Brutalist. While this review solely focuses on the latter, the two films just... Read More
The harsh sound of glass breaking.“Shit!,” we hear a woman exclaim while the opening scene soars over night-time Manhattan. Blinds slide down over some French... Read More
“I took my team through the mud,” said Edward Berger to a packed audience before the world premiere of his latest film, Conclave, on the... Read More
Justin Kurzel is no stranger to the world of crime after making Snowtown, The True History of the Kelly Gang and Nitram. The Australian director... Read More
The great historian Eric Hobsbawm called the 20th century “the short twentieth century”, as he believed that this particular century concentrated its main chain of... Read More
Japan’s official Oscar entry and Venice Film Festival selection, Cloud finds J-horror master Kiyoshi Kurosawa comfortably in his wheelhouse. It’s an atmospheric thriller imbued with... Read More
Alexandra Fuller’s award-winning memoir Don’t Let’s Go to the Dogs Tonight gets cinematic treatment, courtesy of first-time writer/director Embeth Davidtz, who also stars in the... Read More
You don’t ever own your dog, not really. When you bring one into your life, you simply become their human, their companion, and protector, the... Read More

‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]
Director Watch Podcast Ep. 131 – ‘High Life’ (Claire Denis, 2019)
Alliance of Women Film Journalists (AWFJ): ‘One Battle After Another,’ ‘Hamnet’ Lead
North Texas Film Critics Association (NTFCA) Nominations
Interview: ‘Marty Supreme’ Casting Director Jennifer Venditti on Finding 1950s Faces and the Magic of Collaborating with Josh Safdie
Kansas City Film Critics Circle (KCFCC) Awards: ‘One Battle After Another’ Named Best Film
Director Watch Podcast Ep. 131 – ‘High Life’ (Claire Denis, 2019)
The Oscars Move to YouTube Beginning in 2029
2026 Oscar Predictions: BEST CASTING (December)
2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS (December)
2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN (December)
2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY (December)
2026 Oscar Predictions: DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM (December)
2026 Oscar Predictions: ORIGINAL SCORE, ORIGINAL SONG, SOUND (December)
2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY (December)
2026 Oscar Predictions: SUPPORTING ACTOR (December)
‘Nickel Boys’ Review: RaMell Ross’ Audacious Colson Whitehead Adaptation is a New American Masterpiece | Telluride
‘The Room Next Door’ Review: Pedro Almodóvar’s Rumination on Death is an Actress Extravaganza for Tilda Swinton and Julianne Moore | Venice
‘The Brutalist’ Review: Adrien Brody Gives a Shattering Performance in the Cinematic Event of the Year | Venice
‘Wolfs’ Review: Brad Pitt and George Clooney Deliver the Ultimate (and Wholesome) Face Off in Jon Watts’ Exciting New Thriller | Venice
‘Conclave’ Review: The Audacity of Pope | Telluride
‘The Order’ Review: Jude Law and Nicholas Hoult Face Off in Justin Kurzel’s Hard Boiled Character Study | Venice
‘Campo di Battaglia (Battlefield)’ Review: A Great Alessandro Borghi Can’t Find the Cure for a Dull, Underwritten War Drama | Venice
‘Cloud’ Review: Japan’s Oscar Entry Finds Kiyoshi Kurosawa Matching Madness and Madcap in Online Reselling Satirical Thriller | Venice
‘Don’t Let’s Go to the Dogs Tonight’ Review: A Ghostly, Ghastly Tale of Growing Up During an African Civil War | Telluride
‘The Friend’ Review: Naomi Watts and a Very Good Boy Named Bing Make for a Deeply Dignified Dog Story | Telluride
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]
Alliance of Women Film Journalists (AWFJ): ‘One Battle After Another,’ ‘Hamnet’ Lead